Search - Adam Kolker :: Flag Day

Flag Day
Adam Kolker
Flag Day
Genres: Jazz, Pop
 
  •  Track Listings (8) - Disc #1

In the fifties, Sonny Rollins and Ornette Coleman pioneered the art of saxophonistic improvisation in combo settings without piano accompaniment, which forced musicians to find inventive ways to negotiate through the music...  more »

     
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CD Details

All Artists: Adam Kolker
Title: Flag Day
Members Wishing: 0
Total Copies: 0
Label: Sunny Side Records
Original Release Date: 1/1/2008
Re-Release Date: 3/25/2008
Genres: Jazz, Pop
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 016728118422

Synopsis

Product Description
In the fifties, Sonny Rollins and Ornette Coleman pioneered the art of saxophonistic improvisation in combo settings without piano accompaniment, which forced musicians to find inventive ways to negotiate through the music s melodic and harmonic labyrinths. The multi-dimensional tenor saxophonist/flutist/clarinetist Adam Kolker is one reedman who successfully negotiated those mazes, and his star-studded Sunnyside debut, Flag Day, with drummer Paul Motian, guitarist John Abercrombie, and bassist John Hebert, lays down the path for others to follow.

The New York-born Kolker, a veteran of many combo, big band, and Latin ensembles, from Orange Then Blue to Ray Barretto s New World Spirit, is blessed with a robust and warm sax sound that combines Rollins s bravura, Lester Young s poetry and Joe Henderson s inner urged logic. Backed by Motian s sensitive drumming, Abercrombie s ethereal guitar lines, and Hebert s rock-steady basslines, this multi-generational date was destined to be special. As former New York Times critic Peter Watrous wrote in the liner notes, ... I remember sitting in the recording booth listening to the first takes that had me wanting to stand up and cheer, simply because of the music s humanity, the concentration of knowledge in each tune, the sort of achievement that fights decay and entropy....

The disc s seven tracks are worthy of Watrous s accolades. The Ornette-ish gNash opens the disc with Kolker s hypnotizing solo run. Neil Young s Don t Let It Bring You Down offers a lovely contrast: a soulful, Pat Metheny-type American Garage kind of tune started by Kolker s heartland improvisations. Played Twice is of course, one of Thelonious Monk s classic numbers, played to playful, propulsive perfection. On Ties Kolker flexes his clarinet and flute chops on this classically tinged piece, while Only One returns to the Monkish mood. The standard Last Night When We Were Young dedicated to Kolker s former boss Barretto, shows that the saxophonist knows, and can play in, the tradition. In Or Out is a bluesy workout punctuated by tasty guitar/sax unison lines. The title track closes the CD with Kolker s pithy and poignant soprano sax lines this side of Steve Lacy.

Kolker s so advanced, it s simple sax sound sprang from many roots and branches. Born on December 12, 1958 in New York City, he began his career as a sideman with some of the finest musicians on the scene, including the Maria Schneider Big Band, the Village Vanguard Orchestra, The Jazz Composers Octet, the Gil Evans Orchestra, Kenny Wheeler s Large Ensemble, Bruce Barth, Bobby Previte, and Freddie Hubbard. But his jazz recordings with the all-world conguero Ray Barretto, Taboo (1994, Concord), My Summertime (1995, Blue Note), Contact! (Blue Note, 1997), Portraits in Jazz and Clave (BMG, 2000), Trancedance (Sunnyside, 2002), and Hot Hands (2003, Concord), were arguably his most prominent. His CDs as a leader include Crazy Bird (A Records, 1999), Change of Time, a trio date based on the music of Bela Bartok (Omni Tone Records, 2002), and Sultanic Verses (SatchmoJazz Records, 2004). He also teaches at the University of Massachusetts, Amherst.

Which brings us up to Flag Day, an impressive document of a unique voice and approach in jazz music.

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CD Reviews

Beautiful and unique
Bret P. Sjerven | Brooklyn, NY USA | 06/26/2008
(5 out of 5 stars)

"I find it astounding that someone could be found wanting after listening to this release. Kolker has assembled one of the best bands I have heard. Most jazz listeners can appreciate the unique touches of both of the legends on this disc, Paul Motian and John Abercrombie. Kolker wrote and arranged pieces that fit the talents of all the musicians present and span a number of musical traditions; jazz, americana, standards... The improvisations of all the musicians prove that space and texture are just as important as chops. So this record isn't a burner but it is finely crafted and wonderfully performed.



Giving this record one star is ridiculous."
Interesting with great sound
Philip | United States | 08/27/2008
(4 out of 5 stars)

"The earliest review here is rather uncharitable and seems based on personal preferences-- aren't there a number of ways to express "passion"? Would legends like Paul Motian and John Abercrombie play with a musician they were uncertain about? In my view the professional reviews of this CD as "knotty" and comparing Kolker to Konitz are close to the mark. It's an interesting, thought-provoking, and very well-recorded session. My only criticisms are that I'm not sure that Kolker has found his own unique sound, and that this disc doesn't seem to come together as a whole. But overall, it's an excellent effort."