Search - Adrienne Young :: Room to Grow

Adrienne Young
Room to Grow
Genres: Country, Folk, International Music, Pop

Track Listings (14) - Disc #1
1. All for Good
2. Sgt. Early's Dream/Maids of Castlebar
3. Room to Grow
4. Natural Bridge
5. In Between the Heartbeats
6. High Flyin' Dream
7. Free Man in Paris
8. River and a Dirt Road
9. Givin' Up the Fight
10. Dark Around the Moon
11. How Is This World Better Now
12. Once More
13. Leaving It Behind
14. Happy Ending

Adrienne Young has the banjo skills to make a bluegrass disc with the best of them. But on her third album, she largely trades in the string-band sound that characterized her previous efforts for a more straightforward fol... more »k-pop approach. As the lead track proclaims, this is "All for Good," and Room to Grow turns out to be a confidently self-produced work of both personal and artistic maturity. On first listen, Young's opener might seem to be a page out of Candide, with its refrain "all that is here is for good." But the song's lyric "struggle is perfect" is a clue to Young's larger themes. Besides that of nature, most purely celebrated here by "River and a Dirt Road," the album gives an inescapable feeling, not exactly of hope or optimism, but of sweet surrender: surrender not to defeat but to the idea of fully living one's life by "relinquishing control," as Young sings in "Giving Up the Fight," and concentrating on the here and now. "All this worryin' about what's to come/Don't amount to nothin' when it's said and done," says Young in "In Between the Heartbeats," and "It's a flyin' leap from birth to death/Gotta treat each moment like a special guest." And though "we all outgrow the skin we're in," as she sings on the title track--along with "All for Good," the high point of a record that should bring Young the acclaim she richly deserves--"we can weave, we can mend/Stitch by stitch, row by row/Making sure there's room enough to grow." One does wish she and her cowriters (longtime collaborator Will Kimbrough and Mark D. Sanders--who penned, among other country #1s, Lee Ann Womack's "I Hope You Dance") had included two more originals in favor of otherwise admirable Joni Mitchell and Dusty Owens covers, as they are obviously self-sufficient. But that doesn't diminish the force of this resounding, album-length carpe diem. --Benjamin Lukoff NOTE: The Save a Seed Fund has been "founded by Adrienne Young and AddieBelle Music, in conjunction with the American Community Garden Association, to promote continued efforts to preserve all aspects of our collective heritage. AddieBelle Music will donate a portion of the proceeds from each copy of Room to Grow sold to a seed fund which will provide non-genetically modified seeds and support for urban and community gardens throughout the United States and Canada."

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CD Details

All Artists: Adrienne Young
Title: Room to Grow
Members Wishing: 2
Total Copies: 0
Label: Addie Belle
Original Release Date: 1/1/2007
Re-Release Date: 5/22/2007
Genres: Country, Folk, International Music, Pop
Styles: Americana, Classic Country
Number of Discs: 1
SwapaCD Credits: 1
UPC: 881626906521

Synopsis

Amazon.com

Adrienne Young has the banjo skills to make a bluegrass disc with the best of them. But on her third album, she largely trades in the string-band sound that characterized her previous efforts for a more straightforward folk-pop approach. As the lead track proclaims, this is "All for Good," and Room to Grow turns out to be a confidently self-produced work of both personal and artistic maturity. On first listen, Young's opener might seem to be a page out of Candide, with its refrain "all that is here is for good." But the song's lyric "struggle is perfect" is a clue to Young's larger themes. Besides that of nature, most purely celebrated here by "River and a Dirt Road," the album gives an inescapable feeling, not exactly of hope or optimism, but of sweet surrender: surrender not to defeat but to the idea of fully living one's life by "relinquishing control," as Young sings in "Giving Up the Fight," and concentrating on the here and now. "All this worryin' about what's to come/Don't amount to nothin' when it's said and done," says Young in "In Between the Heartbeats," and "It's a flyin' leap from birth to death/Gotta treat each moment like a special guest." And though "we all outgrow the skin we're in," as she sings on the title track--along with "All for Good," the high point of a record that should bring Young the acclaim she richly deserves--"we can weave, we can mend/Stitch by stitch, row by row/Making sure there's room enough to grow." One does wish she and her cowriters (longtime collaborator Will Kimbrough and Mark D. Sanders--who penned, among other country #1s, Lee Ann Womack's "I Hope You Dance") had included two more originals in favor of otherwise admirable Joni Mitchell and Dusty Owens covers, as they are obviously self-sufficient. But that doesn't diminish the force of this resounding, album-length carpe diem. --Benjamin Lukoff NOTE: The Save a Seed Fund has been "founded by Adrienne Young and AddieBelle Music, in conjunction with the American Community Garden Association, to promote continued efforts to preserve all aspects of our collective heritage. AddieBelle Music will donate a portion of the proceeds from each copy of Room to Grow sold to a seed fund which will provide non-genetically modified seeds and support for urban and community gardens throughout the United States and Canada."

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CD Reviews

Best work yet from an artist whose talents are blossoming so

Scott E. Smith | Nashville, TN | 05/26/2007

(5 out of 5 stars)

"While Room To Grow has much in common with Adrienne Young's earlier CDs, is a much more polished and mature effort than its predecessors. This is clearly the work of a more seasoned professional, somebody who's serious about what she's doing, somebody who's ready to play in the big leagues. The whole project, the songwriting, the performances, and the production, absolutely shine.

These songs carry the positive messages Adrienne's fans would expect, but they're tempered by an understanding that the world can and often does crush our best efforts. This acknowledgement of the struggle between good & bad, light & dark, runs throughout the album, but nowhere is that duality presented better than in the opening track, "All For Good." Where the previous CD opened with the rollicking and anthemic declaration, "Gonna start a revolution, made of action not of words," this one begins with sparse instrumentation, an almost autumnal melody, and world-weary resignation: "It's just one more day out of my life gone for good... I keep turning over in my mind, did I get it right?" It's the self-doubt of the traveler who has devoted enormous energies to making a positive impact during life's pilgrimage, but inevitably must confront the possibility that it wasn't enough, or worse still that it's all been for naught. But then out of the darkness comes a beam of light, a joyous and hopeful chorus made all the more beautiful by the contrast, justifying the effort and resolve required to forge on. The realization that "all that is here is for good" makes for an even more powerful anthem than the one that opened the last record.

Even the up-tempo, happy numbers, like the title track, are made more potent by at least a passing nod (or is it a wink?) to life's downside. Extolling the virtues of those pastures where there's "room enough to grow" implies an understanding of less enjoyable places and ways of life. Like the places that inspired "What I Wouldn't Give For a River," an aching expression of yearning for the solitude of a quieter and simpler way of life that is among Adrienne's best songwriting efforts. "Natural Bridge," the track that's racked up the most plays on my iTunes, could be the result of having finally gotten a taste of that simpler life where "my soul will dance again with my true love and all my kin." It also features some lovely dobro work from Andy Hall. The amazing Will Kimbrough, Mike Gordon from Phish, and one of my favorite bluegrass singers, Dale Ann Bradley, also make marvelous contributions to this CD. Former members of Adrienne's band (including fiddler Eric Merrill, bassist Kyle Kegerreis, and guitarist Hans Holzen) lend their considerable talents as well, and I would be remiss not to mention the wonderful work of guitarist Edward O'Day who is definately someone from whom we should expect big things.

Initially I questioned the decision to cover Joni Mitchell's "Free Man In Paris." Amazingly, it fits very comfortably smack dab in the middle of Adrienne's songs. If her originals weren't so good, Joni's tune would stick out like a sore thumb, but as it is, "Free Man" is just another great song among many and is a spirited, first-rate performance by both vocalist and band. Plus it nicely echoes the sentiments of the opening track: "you just can't win," but you do your best just the same.

"Plow to the End of the Row" and "The Art of Virtue," both of which I love, serve as the great foundation upon which "Room to Grow" and whatever may follow will stand. This is something more than what we've heard from Adrienne in the past, and something greater and more powerful than we could have expected. Here's hoping it's just one more step down a long and fruitful path."

What a great surprise!

Alan J. Taylor | Medford Lakes, NJ USA | 06/07/2007

(5 out of 5 stars)

"I had never heard of her prior to attending the Appel Farm Art & Music Festival on June 2, 2007. She was one of the performers at the festival. I immediately took a liking to her music. I purchased this CD at the festival and have listened to it countless times without getting tired of it. Their isn't a song on the CD I don't enjoy listening to over and over again. She puts much feeling into her music. The added plus is to see a musician with a social conscious, unlike some of the canned music coming out the music industry these days, with her Save A Seed Fund. Looking forward to seeing her play next week at Longwood Gardens!"

This gal and her music are white hot!

Bargin Hunter | WEST CHESTER, PA United States | 06/17/2007

(5 out of 5 stars)

"On June 14, 2007 two of us caught her show at Longwood Gardens in PA. All I can say is this was a treat for the ears and down right FUN. I loved everything she played and you could she that she really enjoyed what she is doing. You could feel her spirit in every song! She got so into it that after about 55 solid minutes of song she was surprised to learn that she was running out of time. All of the artist were GREAT! This was my fist exposure to Bluegrass and it won't be my last. Adrienne all we can say is YOU GO GIRL...you ROCK!"