Search - Antonio Vivaldi, Tomaso Albinoni, King's Consort :: Albinoni And Vivaldi Wind Concertos

Albinoni And Vivaldi Wind Concertos
Antonio Vivaldi, Tomaso Albinoni, King's Consort
Albinoni And Vivaldi Wind Concertos
Genre: Classical
 
  •  Track Listings (21) - Disc #1


     
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CD Details

All Artists: Antonio Vivaldi, Tomaso Albinoni, King's Consort
Title: Albinoni And Vivaldi Wind Concertos
Members Wishing: 0
Total Copies: 0
Label: Hyperion UK
Release Date: 11/16/1993
Album Type: Import
Genre: Classical
Styles: Chamber Music, Forms & Genres, Concertos, Historical Periods, Baroque (c.1600-1750), Classical (c.1770-1830), Instruments, Brass, Reeds & Winds
Number of Discs: 1
SwapaCD Credits: 1
UPC: 034571163833
 

CD Reviews

A stunning and well-filled CD
Laraine A. Barker | New Zealand | 07/25/2004
(5 out of 5 stars)

"I'm surprised there are no reviews here of this recording. I bought it for the famous (but not-famous-enough) Oboe Concerto in D Minor, Opus 9, No. 2. While I do like the much acclaimed AAM/Christopher Hogwood recording with soloist Frank de Bruine, I chose the King's Consort because of the CD's instrumental variety, and find I prefer their performance of Op. 9, No. 2. Frank de Bruine, in the AAM recording, uses more ornamentation in the unbelievably gorgeous adagio, and he does it beautifully, but Paul Goodwin's playing is just as good and I definitely prefer the one-instrument-to-a part accompaniment of the King's Consort. The first violin's harp-like configuration creates an irresistible 'rocking' motion, over which Paul Goodwin's oboe floats like a lark, emphasising the heavenly beauty of the movement.



The recording I hear mostly on the radio of this concerto features Pierre Pierlot, and the difference is amazing. As if Pierlot's vibrato (wide enough to sail the Queen Mary through) isn't bad enough, the accompaniment is plodding and downright stodgy. Why do modern instrumentalists and opera singers persistently sound as though they are never sure what note they should be playing? Do they never listen to themselves? The result is, to say the least, painful to sensitive ears and I would expect musicians and singers to have more sensitive hearing than I have.

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