Cordel W. Harris | Fenton, MO United States | 02/21/2000
(5 out of 5 stars)
"I have had a hard time coming up with words for this CD. It is probably the most beautiful work of music I own. I am not exaggerating. The tintinnabuli style has an ephemeral feel to which other works only aspire. I noticed after the third or fourth time listening to it that the silence is as essential to the music; I felt myself reaching for the next note. It's beautiful, simply beautiful.I think of the movie The Hunger when I hear it, for that movie had piano and cello pieces in it also. The images that one saw in it, that of light and gossamer drapes floating go through my mind when I hear this.This CD is worth anything one must pay to get it. It truly is a work of genius."
This is not about Alina
Robert Milne | Toronto, Canada | 11/16/2002
(4 out of 5 stars)
"I would urge everyone to own this cd and it will soon own you too, heart and soul. I won't comment on the ad nauseum tintinnabulism or , god forbid , minimalism. The former just does
not apply here ( see Fratres, Festina lente, Summa, Cantus , etc.
--- all wonderful works --- for that). Alina is about as minimalist as , say , Fur Elise or Traumerei. But this is all about Spiegel im Spiegel, neither tinntinabulist nor minimalist, merely pure genius; perhaps the greatest short piece for violin and piano ( two lovers singing) in the 20th C. Heed the title : Mirror in Mirror : you'll be looking back at your yourself looking back and again until mesmerized by one of the most achingly beautiful pieces ever wrought. That is the good news. However none of these three interpretaions is the definitive one. If you like your beauty neat, you will, seek out PROU CD 139. Here Arvo Part is fully realized in all his splendour recorded in a chapel , fittingly, by Baltic musicians with other Baltic Music--- most noteably Schnittke's Violin Sonata #1. If this recording doesn't tear your eyes, you just aren't human. Alina is , yes, wonderful, but for the greatest S. im S reach further. It is worth it indeed !"
Arvo Part and the Heart
Linda McDougall | Guanajuato, Mexico | 07/11/2003
(5 out of 5 stars)
"My copy of "Alina" arrived from Amazon today, here in the high Mexican sierra. Through gratitude for your efficiency, and having avoided the temptation to write yet another intellectual review,I put the CD on the player and lay on my bed looking at the moon and stars pouring light through the soft air. What can I say, having spent so many years with modern classical music? Only the FEELING that this glorious music produces, straight from the enormous soul of its composer. I heard sorrow for all mankind, free of pity...a simple acknowledgement of Part's compassion and how SOUND, through music, interconnects us on the deepest level. Listening to whatever the experts would have me call it, I am reminded that the Elizabethans put the sense of sound at the very top of the great Chain of Being, and that the Virgin Mary was impregnated through the ear where the voice of the divine entered. Arvo Part always captures the hugeness of spirit often lying dormant in mankind, and once again, I felt its presence in my house because of him.
Not a real review, but words can't express the mix of joy and sadness this CD has given me. Only buy it if you're ready for such an awakening. Linda M."
Calmly Listening to One's Still Small Voice Within
Nicholas Croft | New York | 02/10/2005
(5 out of 5 stars)
"Arvo Part was born on September 11th, 1935 in Estonia. By his 27th year, he had graduated from the Tallinn Music Conservatory and was already composing conventional cantatas and oratorios. During his early years as a composer, however, he struggled with creative despair and entered two different periods of self-imposed silence. He emerged from this period of reflection, at the age of 41, having discovered a simple, heartfelt compositional method based on the three notes of a musical triad: tintinnabuli (from the Latin, little bells). A short work for piano, "For Alina", was the first piece that introduced this new compositional style to Part's listening public.
Two years later, "Mirror in Mirror" was written, continuing what was to become Part's signature approach to authoring new music. On this ECM compact disc, "Alina", we are offered an extended meditation on these two starkly contemplative compositions. The musical intention here might be to calm listeners and provide a sonic atmosphere of quiet repose. Yet these works of "holy minimalism" may be better suited to reflective states that require a more engaged level of listener attention. It is a music that perhaps finds it's proper home within the zeitgeist of contemporary independent cinema or postmodern dance.
There is undeniable beauty in this recording, along with restrained feelings of sadness as well. One has the sense that this era of Part's music was born only after long periods of a solitary prayer life. That the music's beauty comes from the serenity found within that solitude, while it's sadness might originate in humanity's inadequate response to the dark mysteries of our time.
Part has said, "it is enough when a single note is beautifully played". Each note here, within the five pieces of "Alina", is performed through a spirit of hushed reverence and tender devotional love. This quality of living makes "Alina" easily one of the most accessible wordless recordings by Arvo Part in recent years. For those curious about his music, there is definitely no better place to start listening than with this simple, serene offering."