Search - Amaryllis Consort :: Italian Madrigals

Amaryllis Consort
Italian Madrigals
Genres: Special Interest, Pop, Classical

Track Listings (20) - Disc #1
1. Matona mia cara, villanelle for 4 voices, S. x/93
2. S'io esca vivo (Petrarch), madrigal for 6 voices, S. x/9
3. Torneo amoroso
4. Già torna a rallegrar l'aria e la terra, madrigal for 5 voices (Il secondo libro de madrigali a 5 voci)
5. Cruda Amarilli che co 'l nom'ancora, madrigal for 5 voices (Il settimo libro de madrigali a 5 voci)
6. Leggiarda Marina
7. Il bianco e dolce cigno, arrangement of madrigal for string consort
8. Leggiadre ninfe
9. Piangete Valli
10. Viver Lieto Voglio
11. Due rose fresche e colte in paradiso, madrigal for 5 voices
12. Alta Mendoza
13. Moro, lasso, al mio duolo, madrigal for 5 voices (Book 6), W. 6/74
14. Luci serene e chiare, madrigal for 5 voices (Book 4), W. 4/13
15. Ballo furlano, madrigal
16. Vezzosi augelli, W viii, 11
17. Lamento d'Arianna, madrigal in 4 sections for 5 voices (from Book 6), SV 107: Lasciate mi morire
18. Quel augellin che canta si dolcemente, madrigal for 5 voices (from Book 4), SV 87: Quel augellin che canta
19. Zefiro Torna, madrigal for 2 tenors and continuo (from Book 9 & Scherzi musicali), SV 251: Zefiro torna
20. So ben, mi ch'a bon tempo

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CD Details

All Artists: Amaryllis Consort
Title: Italian Madrigals
Members Wishing: 0
Total Copies: 1
Label: Carlton Classics
Release Date: 1/27/1998
Genres: Special Interest, Pop, Classical
Styles: Vocal Pop, Opera & Classical Vocal, Chamber Music, Historical Periods, Baroque (c.1600-1750)
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 723723214928, 5030367020828, 503036702082

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CD Reviews

Italian madrigals as they should be sung

Arthur Bauman | Harwich, MA United States | 07/02/2001

(5 out of 5 stars)

"When I first heard this CD at a friend's house, I was certain the singers were Italian because they so surely expressed both the meaning of the verse and the emotional mood of the music. The selection of madrigals presents a useful survey of the genre; they range from Arcadelt's superb early madrigal "Il bianco e dolce cigno", to Monteverdi's equally moving "Lasciate mi morire" written at the end of the Italian Renaissance. This is the way madrigals should be sung, with one voice to a part so that the contours of each independent line can be expressed and heard. The Amaryllis Consort performs these pieces as well as anyone I've ever heard."