Search - Andy Irvine :: Way Out Yonder

Way Out Yonder
Andy Irvine
Way Out Yonder
Genres: Folk, International Music, Pop
 
  •  Track Listings (9) - Disc #1

Although Andy Irvine has been an integral part of three of Irish music's most innovative bands--Sweeney's Men in the 1960s, Planxty in the 1970s, and Patrick Street in the 1990s--he has released very little music under ...  more »

     
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CD Details

All Artists: Andy Irvine
Title: Way Out Yonder
Members Wishing: 6
Total Copies: 0
Label: Appleseed Records
Release Date: 3/27/2001
Genres: Folk, International Music, Pop
Styles: Traditional Folk, British & Celtic Folk, Celtic
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 611587104922, 687802108020

Synopsis

Amazon.com
Although Andy Irvine has been an integral part of three of Irish music's most innovative bands--Sweeney's Men in the 1960s, Planxty in the 1970s, and Patrick Street in the 1990s--he has released very little music under his own name, and consequently is not as well know as he deserves to be. The music of Irvine's bands tended to be fairly evenly split between songs and dance tunes, but on Way out Yonder, only the third solo release in his long career, seven of the nine tracks are songs. Irvine is a very expressive singer who can take a ballad like Loreena McKennitt's version of "The Highwayman" and make its nine-minute length seem too short. The other songs include originals like "Gladiators," a ballad about union organizer Tom Barker, and old ballads such as "Moreton Bay," an Australian convict song. In the late 1960s, Irvine spent two years busking in the Balkans, and the title track is a medley of some of the dance tunes he learned while he was there. Way Out Yonder is a wonderful collection of songs from one of Irish music's secret heroes. --Michael Simmons

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CD Reviews

Still Excellent
Scott Brennan-Smith | Chico, CA United States | 08/28/2001
(5 out of 5 stars)

"The previous reviewer was a bit harsh on this record. The surprise about this record is how good it is considering the apparent demise of Irvine's band Patrick Street and what had seemed like a decline in Irvine's powers of late. I was thrilled to see a new studio solo album by Irvine and fully gratified when I heard it. Here are all of his strengths honed over a lifetime of musical exploration. Yes, Irvine continues to sing the truth about the lives of the underclass in his "old left" ballads, among the best of the songs here, I might add. That an artist champions values other than success and glamour and "winning," is still refreshing no matter how many times he sounds that string. Irvine doesn't need to break new ground to put out an excellent recording; he's done that aplenty and all of it still shines here. Despite its lack of surpise this album is still excellent. Oh yes, and I find the version of the "Highwayman" deeply moving despite myself, perhaps not for the somewhat overdramatic narrative but for the power and emotion of Irvine's voice, which still brings me to the brink even after all of these years. I guess I'm an incorrigable fan thrilled to have yet another Irvine recording after I'd long given up hope."