Search - Anna Ternheim :: Leaving on a Mayday

Leaving on a Mayday
Anna Ternheim
Leaving on a Mayday
Genres: Alternative Rock, International Music, Pop, Rock
 
  •  Track Listings (10) - Disc #1

2008 album from one of the most popular singer/songwriters at the moment in Sweden. 10 tracks. She released her debut album Somebody Outside in 2004. The Swedish Grammyjury awarded her as Best Newcomer of the year, and was...  more »

     
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CD Details

All Artists: Anna Ternheim
Title: Leaving on a Mayday
Members Wishing: 0
Total Copies: 0
Label: Verve Forecast
Original Release Date: 1/1/2009
Re-Release Date: 8/11/2009
Genres: Alternative Rock, International Music, Pop, Rock
Styles: Europe, Scandinavia, Singer-Songwriters, Adult Alternative
Number of Discs: 1
SwapaCD Credits: 1
UPC: 602527071046

Synopsis

Album Description
2008 album from one of the most popular singer/songwriters at the moment in Sweden. 10 tracks. She released her debut album Somebody Outside in 2004. The Swedish Grammyjury awarded her as Best Newcomer of the year, and was nominated for Best Female Artist, Best Lyricist and Best Songwriter of 2005. She also won the P3 Guld award for Best Newcomer 2004. For her second album, Separation Road released on September 27, 2006, she was awarded Best Female Artist and Best Lyricist of the Swedish Grammyjury, again she was nominated for Best Songwriter and Best Album. P3 Gold awarded her Best Female Artist the same year. April 22, 2008 was released her US debut album Halfway to Fivepoints. Universal.

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CD Reviews

Dark, Brooding, and Beautiful
j.s. | Bloomington, IN United States | 09/18/2009
(5 out of 5 stars)

"I was milling around Barnes & Noble yesterday and just HAD to ask one of the booksellers, "What album is playing in the store right now?" The sexy drums, haunting strings and detached vocals were striking and catchy. Turns out, the the album is "Leaving on a Mayday" by Anna Ternheim.



This Swedish singer's voice sounds like a mix of Beth Gibbons (lead singer of Portishead) and Emiliana Torrini. Some of the strangely filtered tunes, too, slightly reminded me of Portishead's "Third" album. However, Anna Ternheim is more mainstream than Portishead.



I appreciated the moody atmosphere that infected the whole album. It manages to be dark but not depressing. I actually found myself dancing in the car listening to these beautiful tracks.



Any complaints? Well, sort of...The first song (and single), "What Have I Done," is amazing. The rest of the album doesn't really live up to the promise of that song, BUT it is still great. I hate when a first song affects you so much that the rest is a letdown...because this whole album is truly wonderful. It just doesn't match that first note.



Recommended to fans of Portishead, Emiliana Torrini, and other indy pop/alternative singers looking for something a little dark and fun."
THE NEWEST SWEDE TO HIT THE U.S.
Margaux Paschke | New York | 10/17/2009
(4 out of 5 stars)

"I have never heard of this singer before but she was recommended as something different for me to try. After listening to the whole album, I was impressed.



The drum and string background on most tunes blends well with Anna Terheim's lush singing voice. I found this album very appealing although the same could not be said for every song. "Damaged Ones" and "What Have I done?" are my favorite songs. I seem to be in a mini explosion of Swedish exports and this artist is my newest favorite "indie" discovery."
A mix of foreboding and anticipation.
John W. Dunner | Atco, NJ United States | 10/01/2009
(4 out of 5 stars)

"This should be the Stateside breakthrough album for this Norse night owl. Ternheim's tales of melancholy remain consistent, one to the next. From lacy laments ("Summer Rain") to quavering resolution ("Make It on My Own"), Ternheim builds on the cymbeline styles of Suzanne Vega, Joni Mitchell, and Stevie Nicks, creating an aurora borealis of ephemeral emotions and hardened memories. Most tracks include quietly thrumming tom-toms and light string accents that give a mix of both foreboding and anticipation. On most releases, Ternheim's cover art has tended toward blue-gray -- patches of night sky, windmills, and storm clouds. And it's left vague whether the storm has come or gone."