Ann�es de p�lerinage, 1st Year ('Suisse'), suite for piano, S. 160 (LW A159): Chapelle de Guillaume Tell
Ann�es de p�lerinage, 1st Year ('Suisse'), suite for piano, S. 160 (LW A159): Au lac de Wallenstadt
Ann�es de p�lerinage, 1st Year ('Suisse'), suite for piano, S. 160 (LW A159): Pastorale
Io tacer�, ma nel silenzio mio, madrigal for 5 voices (Book 4), W. 4/21
Ann�es de p�lerinage, 1st Year ('Suisse'), suite for piano, S. 160 (LW A159): Au bord d'une source
Ann�es de p�lerinage, 1st Year ('Suisse'), suite for piano, S. 160 (LW A159): Orage
Invan dunque, o crudele, madrigal for 5 voices (Book 4)
Ann�es de p�lerinage, 1st Year ('Suisse'), suite for piano, S. 160 (LW A159): Vall�e d'Oberman
Non t'amo, o voce ingrata, madrigal for 5 voices (Book 3), W. 3/43
Ann�es de p�lerinage, 1st Year ('Suisse'), suite for piano, S. 160 (LW A159): Eglogue (Hirtengesang)
Ann�es de p�lerinage, 1st Year ('Suisse'), suite for piano, S. 160 (LW A159): Le Mal du Pays
Ann�es de p�lerinage, 1st Year ('Suisse'), suite for piano, S. 160 (LW A159): Les cloches de Gen�ve (Nocturne)
Track Listings (12) - Disc #2
Ann�es de p�lerinage, 2nd Year ('Italie'), suite for piano, S. 161 (LW A55): Sposalizio
Ann�es de p�lerinage, 2nd Year ('Italie'), suite for piano, S. 161 (LW A55): Il Penseroso
Ann�es de p�lerinage, 2nd Year ('Italie'), suite for piano, S. 161 (LW A55): Canzonetta del Salvator Rosa
Amor i ho molti et molt'anni pianto, madrigal for 5 voices
Ann�es de p�lerinage, 2nd Year ('Italie'), suite for piano, S. 161 (LW A55): Sonetto 47 del Petrarca
Ann�es de p�lerinage, 2nd Year ('Italie'), suite for piano, S. 161 (LW A55): Sonetto 104 del Petrarca
Ann�es de p�lerinage, 2nd Year ('Italie'), suite for piano, S. 161 (LW A55): Sonetto 123 del Petrarca
Ann�es de p�lerinage, 2nd Year ('Italie'), suite for piano, S. 161 (LW A55): Apr�s une lecture de Dante (Fantasia quasi Sonata)
Cos� nel mio parlar voglio esser aspro, madrigal for 5 voices (Il nono libro de madrigali a 5 voci)
Venezia e Napoli II (3), for piano (Ann�es, supplement to II), S. 162 (LW A197): Gondoliera (La biondina in gondoletta. Canzone del C
Venezia e Napoli II (3), for piano (Ann�es, supplement to II), S. 162 (LW A197): Canzone (Nessun maggior dolore. Canzone del gondolie
Venezia e Napoli II (3), for piano (Ann�es, supplement to II), S. 162 (LW A197): Tarantella
Track Listings (10) - Disc #3
Dura legge d'Amor ma bench� obliqua, madrigal for 5 voices (Il nono libro de madrigali a 5 voci)
Ann�es de p�lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Ang�lus! (Pri�re aux anges gardiens)
Ann�es de p�lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Aux cypr�s de la Villa d'Este, No. 1 Thr�nodie
Ann�es de p�lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Aux cypr�s de la Villa d'Este, No. 2 Thr�nodie
Ann�es de p�lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Les jeux d'eaux � la Villa d'Este
Asciugate i begli occhi, madrigal for 5 voices (Book 5), W. 5/57
Ann�es de p�lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Sunt lacrymae rerum (En mode hongrois)
Ann�es de p�lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Marche fun�bre (En m�moire de Maximilien I)
Ann�es de p�lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Sursum corda (Erhebet Eure Herzen)
Peccantem me quotidie, motet for 5 voices, W. 8/36
Franz Liszt s years of pilgrimage are more than a journey through Switzerland and Italy they are also a musical journey through time — and, ultimately, through the composer s own self. Outstanding German pianist Ragna Schir... more »mer pays respectful visits to these individual
places with profound affinity for the complicated spiritual world of the Abbé Liszt. Links to the Renaissance are underscored by the
madrigals of Gesualdo and Marenzio, sung by the Amarcord Ensemble.« less
Franz Liszt s years of pilgrimage are more than a journey through Switzerland and Italy they are also a musical journey through time
and, ultimately, through the composer s own self. Outstanding German pianist Ragna Schirmer pays respectful visits to these individual
places with profound affinity for the complicated spiritual world of the Abbé Liszt. Links to the Renaissance are underscored by the
madrigals of Gesualdo and Marenzio, sung by the Amarcord Ensemble.