With the advent of inexpensive home-recording technology, it makes sense that so many musicians would gravitate towards the one-person-band template. Even still, Aqueduct's third album seems to arrive alongside a glut of s... more »uch projects. The former singer and guitarist for the late '90s modern rock act band Epperley, David Terry's work not only stands out by employing a host of friends to pitch in, but his knowledge of band dynamics helps the songs he plays most every instrument on escape the samey-ness that bogs down so much bedroom-pop. Terry's work has frequently been compared to Modest Mouse and Flaming Lips, but in his savvy, Nilsson-esque songwriting style and the keyboard-driven, lyric-heavy nature of his songs, perhaps a far better comparison would be his label mates the Long Winters. Imagine the Long Winters if they were far more in love with the synth and guitar textures of the '80s than the precious pop sounds of the '70s and you'd have this, a hard to pigeonhole album which greatly rewards multiple listens. --Mike McGonigal« less
With the advent of inexpensive home-recording technology, it makes sense that so many musicians would gravitate towards the one-person-band template. Even still, Aqueduct's third album seems to arrive alongside a glut of such projects. The former singer and guitarist for the late '90s modern rock act band Epperley, David Terry's work not only stands out by employing a host of friends to pitch in, but his knowledge of band dynamics helps the songs he plays most every instrument on escape the samey-ness that bogs down so much bedroom-pop. Terry's work has frequently been compared to Modest Mouse and Flaming Lips, but in his savvy, Nilsson-esque songwriting style and the keyboard-driven, lyric-heavy nature of his songs, perhaps a far better comparison would be his label mates the Long Winters. Imagine the Long Winters if they were far more in love with the synth and guitar textures of the '80s than the precious pop sounds of the '70s and you'd have this, a hard to pigeonhole album which greatly rewards multiple listens. --Mike McGonigal
"Aqueduct is the one-man band of David Terry (and not to be confused with that other one-man band Aqualung). Aqueduct's previous album "I Sold Gold" was a personal favorite of mine in 2005, finishing hihg in my own list of the "best albums of the year". After touring extensively in support of "I Sold Gold", now finally comes the new album.
"Or Give Me Death" (12 tracks, 42 min.) continues the winning ways of "I Sold Gold", with a heavy emphasis on drums and synthesizers for Aqueduct's sound. "Lying In the Bed I've Made" kicks off the album strongly. The sing-along "Keep It Together" sounds like a good choice for a single (except of course that very few stations give airply to indie muusi like Aqueduct--but check out one that does, namely internet-only WOXY). The best tracks are in the second half of the album, starting with "Unavailable" (with limited but effective use of strings) and "Split the Difference", the sad "Wasted Energy", and the album closer "With Friends Like These". Overall, "Or Give Me Death" is a most enjoyable album. It clips by in no time and you find youself wanting to play it again.
This album is released on Seatlle-based Barsuk Records, which is a terrific label for indie music. Check out some of their other great artists such as Smoosh, Mates of States, the Long Winters, and John Vanderslice. All of them are highly recommended, as is Aqueduct, of course.
"
I'll just make this as simple as possible..
camille | temple/belton/killeen, tx | 04/25/2007
(5 out of 5 stars)
"If you thoroughly enjoy the musical genius of David Terry, you will not be disappointed.
There is only one exception, I find it different from the past albums. If you are one of those that doesn't take well to a shift in music style, you may want to give it a listen or two.
This album is slightly darker than the past 3, but contains the same catchy psychedelic pop beats.
Either way, I personally suggest giving it a listen.
Finally, if you ever find the opportunity to see Mr. Terry live, I highly suggest it. He never lets you down."
Zoning in on brilliance
John C. Fisher | Iowa | 03/22/2007
(5 out of 5 stars)
"One wonders if this albums lukewarm reviews are from those just not personally akin to Terry's voice or the concept of Aqueduct in general.
Make no bones--this album is groovy, resounding dynamite.
His lyrics are at times defensive, no doubt in reference to those who don't want to deal with his sardonic tone, but I welcome it, and the genius behind the instrumentation itself.
You don't need to see this guy live to get it, though those of you lucky enough to do so will not be disappointed. While, I Sold Gold was a refreshing masterpiece, this album places Aqueduct and David Terry at the front of the line of music made with synthesizers and smarts. Only Terry spares no room for boredom. Buy it."
Derivative but sturdy effort
Matthew T. Medlock | Cincinnati, OH | 02/12/2008
(4 out of 5 stars)
"Aqueduct, the one-man band of David Terry (though he's added a few members this time out), has the makings of a surprisingly strong outfit, but its own derivation muddles the effort. It's clear where Terry's influences lie and he borrows tricks from plenty of different places.
It's possible to think, "well, shoot, everyone does that," but it's sometimes too awkward and obvious on "Or Give Me Death" to let pass by unnoticed. "Keep It Together" is a strange hybrid of Elton John and the Flaming Lips. He even does a Coyne-ish yelp pretty spot on--"Zero the Controls" and "Unavailable" is mimicry at its most obvious, severely damaging otherwise good songs. And "As You Wish" has to be a Beach Boys cover, right? Oh.
Part of the problem is that it can't live up to the strong opening: "Lying in the Bed I've Made" and "Living A Lie" are never topped. And there's a sluggish pace on the second half that has the listener itching for the skip button...even during the good songs! Sometimes the sound is a bit too inky with overkill flourishes and repeated rhythms, but it's never annoying. Whatever problems that Terry encounters, though, are pretty minor. Even if it may be a bit too slow, "Wasted Energy" succeeds on its own terms as a dawdling dirge with off-key vocals that ring of expasperation. While never potent or startling, he makes the listener take notice during the entire course of the record, actually offers a few insightful moments, and then disappears. If he had a more original sound, he may have truly had something, but then again that would have probably made it less accessible, something that Terry needs far too much right now.
Best cuts: "Lying in the Bed I've Made," "Living a Lie," "Unavailable," "Split the Difference," "Wasted Energy," "Keep It Together," "As You Wish," "You'll Get Yours""
When a good band becomes great.
Grandpa Green | Vancouver, B.C. | 03/06/2007
(5 out of 5 stars)
"Aqueduct's last album, "I Sold Gold" was a really good genre bending rock album but their latest, "Or Give Me Death", is freaking great. Every promising moment on the aforementioned album has been fully realized and is presented as a real aural treat for pop rock lovers.
Amazon hits the nail on the head pretty close in its comparison to label-mates and likewise under-appreciated band the Long Winters but there are so many other layers of influence occurring simultaneously. There are moments that scream Brian Wilson, The Kinks, Of Montreal, The Flaming Lips, etc. Yet these influences never overshadow the originality of the Aqueduct sound and act more as a flavoring to an already delicious musical medley. Since picking up the album I have listened to the album twice a day and the song "Living a Lie" a ridiculous amount.
Anyways, how can you go wrong with an album that features a song consisting entirely of dialogue from the Princess Bride? Which song? I think you may be able to figure it out by the song title, and if not you really should be going to the video store ASAP.