Great new record, a new depth...
Hunter RateVegas | Santa Barbara, CA USA | 04/09/2002
(5 out of 5 stars)
"This latest Armchair Martian release showcases a new depth to Dr. Snodgrass' songwriting... Continuing in the tradition of pop/punk/rock/country fusion, Who Wants to Play Bass? is a collection of veritable sonic gems... Production on this record was a collaboration between Dr. Snodgrass and Dr. Cape, who has worked with Armchair Martian in the past. On that front, this release is an all out assault on the senses..."
Country punk fusion at it's best
Destroy Boy | www.ohboydestroy.com | 12/28/2005
(4 out of 5 stars)
"Armchair Martian returns with another batch of their country meets punk blend on what is
presumably their last record. That's a shame because this is really one of the more unique punk
bands out there. Their sincere, honest country punk sound and heartfelt vocals are a powerful
mix that appeals to people like me that really can't stand country music.
This record differs the most from any of their previous albums in terms of the overall sound.
Where their first record was fast, distorted country guitar chords they've made a slow progression
to incorporate more traditional country elements that's in full flower here. Similar to their side
band Drag The River, you'll find lots of slower paced songs with acoustic guitars and traditional
country arrangements with only sprinklings of distorted guitars. This isn't totally unwelcome but it
definitely blurs the line between those two bands and, if I had to call it, I'd say this album has
more in common with Drag The River than earlier Armchair Martian albums.
There are a few faster, more familiar cuts like "Saving Anger" and "Re-Routed" that fans will latch
onto instantly but ultimately their scarcity on this record just makes you more nostalgic for the way
it was on previous releases. Still, as a band they've probably never wrote better songs than this.
Whether it's the bare bones country crooners or the richly layered punk influenced ones, their
years of straddling that line has produced a truly unique and compelling synthesis of these two
styles of music. Where you can especially here this is in the solos on this record, which are
absolutely fantastic across the board. While many times they're distorted, there's a mournful
edge to them that perfectly complements the downtrodden, down and out cowboy vibe of the
lyrics.
In the end, this is a great record but if you're looking for some higher energy material I suggest
their three previous records with the debut being the most straightforward of the bunch. Still, you
shouldn't pass on this one unless you really can't stand even a hint of country.
check out more reviews at ohboydestroy."