Search - Arturo Sandoval :: Dear Diz (Every Day I Think Of You)

Dear Diz (Every Day I Think Of You)
Arturo Sandoval
Dear Diz (Every Day I Think Of You)
Genres: International Music, Jazz, Pop, Latin Music
 
  •  Track Listings (11) - Disc #1

Arturo Sandoval releases his second album on Concord Jazz, Dear Diz (Every Day I Think of You). The album is Sandoval's tribute to Dizzy Gillespie, the mentor and friend who literally rescued him and his family from an opp...  more »

     
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CD Details

All Artists: Arturo Sandoval
Title: Dear Diz (Every Day I Think Of You)
Members Wishing: 0
Total Copies: 0
Label: Concord Jazz
Release Date: 5/8/2012
Genres: International Music, Jazz, Pop, Latin Music
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 888072330207

Synopsis

Product Description
Arturo Sandoval releases his second album on Concord Jazz, Dear Diz (Every Day I Think of You). The album is Sandoval's tribute to Dizzy Gillespie, the mentor and friend who literally rescued him and his family from an oppressive existence and gave them a chance at an entirely new and better life. The album is a collection of classics from Gillespie's massive body of work, each framed in big-band arrangements that throw the spotlight squarely on the elements of bebop that underscore so much of the iconic trumpeter's work and set the tone for the music of his era. Backing Sandoval on the project is a crew of top-shelf jazz artists: vibraphonist Gary Burton, Yellowjacket's leader saxophonist Bob Mintzer, organist Joey DeFrancesco, clarinetist Eddie Daniels, saxophonist Ed Calle, drummer/producer Gregg Field and several others. Also along for the ride are a couple of unlikely but well-placed surprises - actors Andy Garcia on percussion and vocalist Manolo Gimenez. The resulting set is, as Field puts it, is Sandoval's "love letter to an old friend." At the heart of Dear Diz (Every Day I Think of You) is the bebop groove that Gillespie spent a lifetime exploring and refining, says Sandoval. "When it comes to bebop, you either know it or you don't," he says. "There's no halfway. If you're going to be a good bebop player, you really need to be a hell of a musician with a lot of skill and a great education and a great command of your instrument. This is what Dizzy was all about. He wasn't just a trumpet player. He was an innovator and a creator. That sense of innovation and creativity that he brought to every note he played is what inspires this recording and everyone who plays on it. In that sense, he's still very much with all of us. I do think of Dizzy every day."