The late Horace Swaby, a.k.a. Augustus Pablo, was one of the canonical figures of Jamaican reggae and dub music. From the moment he emerged on the scene as a teenager with his hit single "Java" to the classics he cut w... more »ith his influential Rockers band and label, Pablo made the melodica, an obscure mouth organ of European origin, an indispensable part of the reggae sound. That instrument's piercing and poetic strains made this memorable out-of-print-classic, originally released in 1977 and rereleased in honor of its 25th anniversary, a marvel of sound and soul. Recorded in Lee Perry's legendary Black Ark Studio and mixed by the Scientist of Sound King Tubby, Pablo--who also plays keyboards--is backed by a first-rate band that includes Robbie Shakespeare on bass, drummer Aston "Family Man" Barrett, and guitarist Earl "Chinna" Smith. Pablo and company deliver a nondub instrumental album that serves as the syncopated soundtrack of the Rasta nation. Who could forget the minor-key Afro anthems "Chant to King Selassie I," "Natural Way," and "Jah-Light"? Along with shout outs from Perry, the Orb, and others, the CD also includes six bonus tracks and a never-before-heard version of the title cut. All told, Augustus Pablo's "Far East sound" is still with us. --Eugene Holley, Jr.« less
The late Horace Swaby, a.k.a. Augustus Pablo, was one of the canonical figures of Jamaican reggae and dub music. From the moment he emerged on the scene as a teenager with his hit single "Java" to the classics he cut with his influential Rockers band and label, Pablo made the melodica, an obscure mouth organ of European origin, an indispensable part of the reggae sound. That instrument's piercing and poetic strains made this memorable out-of-print-classic, originally released in 1977 and rereleased in honor of its 25th anniversary, a marvel of sound and soul. Recorded in Lee Perry's legendary Black Ark Studio and mixed by the Scientist of Sound King Tubby, Pablo--who also plays keyboards--is backed by a first-rate band that includes Robbie Shakespeare on bass, drummer Aston "Family Man" Barrett, and guitarist Earl "Chinna" Smith. Pablo and company deliver a nondub instrumental album that serves as the syncopated soundtrack of the Rasta nation. Who could forget the minor-key Afro anthems "Chant to King Selassie I," "Natural Way," and "Jah-Light"? Along with shout outs from Perry, the Orb, and others, the CD also includes six bonus tracks and a never-before-heard version of the title cut. All told, Augustus Pablo's "Far East sound" is still with us. --Eugene Holley, Jr.
Agreed..........This is absolutely essential melodic dub
fetish_2000 | U.K. | 05/03/2005
(5 out of 5 stars)
"Establishing a career in the overcrowded market of 'Dub' music is never going to be an easy task....unless your name is "King Tubby", "Lee 'Scratch' Perry" or "Mad Professor", standing out from the multitude of artists that have produced various Dub tracks or Remixes, or reinterpretations, is harder than we probably imagine. And the fact that Dub music is largely considered to be the preserve of either the 'Dreadlocked' or 'Permanently Stoned', limits its crossover appeal. Yet Augustus Pablo was either wise enough, or indeed forward thinking enough, to realise that merely creating a Dub album that didn't differentiate itself from any other Dub album, was going to be a pointless exercise....so Augustus tapped into a market that was largely untouched. The 'Melodic' spectrum of Dub music, by completely sidestepping the bass heavy sounds, and reverb-ladened echo effects that largely dominate Dub music, he was able to bring something uniquely his to the table. And with even more of an angle, he used the 'Yazoo' (considered to be a Children's harmonic instrument) and more importantly & significantly....the 'Melodica' (a harmonica with a keyboard), which would make up his organ-orientated form of Dub music, with superb use of Piano, Synthesizer, producing a sound far more relaxed and Delicate edge, than Dub music is usually given credit for.
Those hoping for the deep thumping bass, that makes up a lot of Dub music, will be either shocked or surprised to hear that, this is a million miles away from those sorts of Dub tracks, instead what Augustus does is make simple, melody-driven tracks that focus on the earthy, reflective and organic use of his Yazoo & melodica. Whether Its haunting Oriental-esque melody, or simple vocal lines that for all intents and purposes sound like a medative lullaby's, or indeed minor keys and prominent melodica lines , coupled with Pablo alternating rudimentary but spooky solos on melodica and organ over a jagged riddim, it's arguably all so beautifully implemented and produced, that its feels less like Dub and more mellow instrumental roots reggae. Its interesting to hear how Augustus takes that simplest of rhythms and builds tunes, arrangements around this central rhythm / idea, and the vibes are of the most relaxed kind, as the music never really gets past a slow-paced grooves, that languish over harmonious stoned groovescapes.
Augustus has made several absolutely essential albums in this career, and his simplified, stripped down, plaintive form of melodic-Dub truly deserved a wider-audience, as his music has the unique ability to express moods. But it, something contemplative or organic, it was a sound that was able to express moods in the way that various forms of 'Jazz' music is able to. His melodica is largely the key to his sound, and the simple instrument's unusual sound is hard to mistake for anything else, colouring and texturing the simple rhythms, in a oddly delicate way, yet the vaguely Middle Eastern sound of his melodica is immediately recognisable, and therefore makes his warm and compelling music that much more accessible. This is considered to be amongst his best albums (along with " King Tubbys Meets Rockers Uptown"), as the most impressive body of his work, and having thoroughly enjoyed this album, I whole-heartily recommend it to anyone thinking of picking up Augustus' work, as it is in turns: Mellow, downtempo, laid-back and beautifully rendered, yet also spiritual & possessing a dark and mystical ambience. Critics will point to the fact that the various tracks on his albums, aren't radically different from each other, and have a tendency to blend into each other. That is partially true, as it's very easy for his sound to wash over the listener, and before you realise it...your halfway through the album. But such criticisms should not dissuade potential buyers, as this is some of the most organically expressive instrumental Dub music, I've had the pleasure of listening to, and it's one of those rare breed of albums, in which you don't necessarily have to be in a certain mood to listen to, and you feel in a better mood for having listened to it.......Essential"
AN ABSOLUTELY ESSENTIAL REGGAE ALBUM!!
Coleen | Down in the alley | 01/07/2005
(5 out of 5 stars)
"This is Augustus Pablo's greatest album! And one of the finest reggae albums ever recorded! It's a total chill out! And, no, it's not "too mellow", as one review stated. It's like a mixture of Middle-Eastern music, dub, and reggae, and the sound quality is superb!! I can't wait 'til you hear it!"
All Time Roots Classic
Thor Furbeck | maryland usa | 11/25/2002
(5 out of 5 stars)
"East of the River Nile, arguably Augustus Pablo's greatest masterpiece, is without a doubt one of the great roots dub albums ever made. Nowhere else is Pablo's "far east style" exemplified better than on this disc. The vibe is one of ancient africa, and the music gets better on each listening; revealing layers of subtleties that are uncovered only after spending many hours with this disc. This album is a blessing and must be weighed in as an all time great. Highly recommended."
The Real Roots Vibe
James L. | Virginia, United States | 08/01/2003
(5 out of 5 stars)
"This is simply a terrific record. Shanachie wins my admiration for reissuing it with such fine sound and excellent extra tracks.
There are too many outstanding tracks on this disc to go into detail on them. Some are straightforward melodica or keyboard versions, some are closer to dub but they all reveal more layers of depth with each listen. Plus all the music has that true inspiration that can't be faked. My personal favorite is "Unfinished Melody" which in unlike anything else I've ever heard. Close to Lee Perry in vibe without sounding like him.
One note: Tracks 13 and 14 are mis-titled. 13 should be called the original 1971 version of "East of the River Nile". Track 14 is a dub of the later version of the same song (which appears earlier in the CD). I guess its title is "East Africa", which is what the disc calls Track 13.
Along with "King Tubby's meets Rockers Uptown" this is essential Pablo and essential roots music."