"When I saw that Moby was releasing another album under the Voodoo Child moniker, I got fired up. My initial copy of The End of Everything was so worn down that I got another just in case... If you haven't listened to that album, I would highly recommend picking it up immediately, as its methodical simplicity and rich texture are at the same time relaxing and invigorating. So when I put Baby Monkey on in the car, despite the "This is dance music, deal with it" disclosure by Moby on the inside cover, I was slightly suprised at what I heard. Anyone who has listened to any of Moby's previous albums knows how talented he is, and how cool his music can make you feel, and this effort was not what I have come to expect. Certainly, there are stand out tracks. Both Tracks 3 and 4 are more along the lines of what I had expected out of this Voodoo Child album. Simple, but powerful. So, in this reviewers opinion, if you want to meet the coolest Voodoo Child, go buy The End of Everything. If you are looking for better than average dance music, Baby Monkey is just that."
Amazing Artist, Amazing Album
Brian Baker | Culver City, CA United States | 01/30/2004
(5 out of 5 stars)
"Moby has done it again: he's created another brilliant album - this time, a purely underground dance one. If you want radio hits, commercial jingles or even lyrics, this is not the album for you. But if you like pumping, grinding, dancefloor beats mixed with soothing doses of trance, this is one of the best albums I've heard in a long time... Thanks, Moby!"
A gem
CJ Foster | ky | 08/07/2004
(5 out of 5 stars)
"Since Moby's carreer began, his musical style has matured and evolved. Especially with the releases of Play and 18. His music has evolved into almost poppish electronica. As Voodoo Child, he gets back to his original roots from the early 90's. This album sounds a lot like "MOBY: RARE B-SIDES" the superb 2-disc set released by Moby a few years ago. The music in this album is earlier Moby mixed with newer Moby. You can tell it's the "newer" Moby 'cause of the drumwork. Every musician has a favorite chord and style of music they like to use in their own productions. Moby is no different. Since the release of Play, I have noticed simularities in all the tracks he's done since then. That's not a bad thing. It's not repetive. And it takes true skill for that. Most artists sound the same each and every track. I do the same. I'm a electronica musician. And you can tell it's me every track because I usually use the same softwares and stuff for my drums and synths. And I have a set chord reference for most of my tracks. It's my brain at work.(...)
So is this a good album? Yes. It's one of the finest. And I hope Moby releases more albums under the name Voodoo Child."
A rare artist
Jeffery J. Torres | Arcadia, CA | 01/29/2004
(5 out of 5 stars)
"Voo Doo Child aka Moby aka that wacky Melville kid (as we call him in my circle), has finally earned it. He is one of those rare artists that deserves a purchase of an album without ever hearing a track. For the Area 2 concert, he invited DJ Tiesto to play in Irvine, CA and it was amazing. He helped expose a lot of people who had never heard of Tiesto to a talented and amazing dance artist - I was personally hooked. Now comes the Melville kid's latest foray into the pure dance arena, and without expectations. That is an exciting prospect on its own. I must admit that I have only heard part of the CD so far and it didn't really have that same soulful sound like on Play or 18 (if you really want more of that get the 18 remix album) - it is fantastic as a no expectation straight up dance disc."
Average dance music
Lukas Pokorny | CZ | 04/05/2004
(4 out of 5 stars)
"good stuff but nothing extraordinary (except tracks 4 and 12) if i should try to express what i'm expecting from real dance music i would put down only one group which stands for the best dance maker. in my opinion, guys from "chemical brothers" with their skils really got it (nothing new, of course). and the difference between moby and ChB??? how simple, if you take the ChB's best dance song of all times - for me : "sunshine underground" (Surrender) - from the beginning to the end you can hear the developement, which i would compare to the developement in the built-up of drama works - thesis, synthesis...climax, apocalypse. This is what makes me feel the excitement, the tension which is constantly run up until to the climax of the song...and that's what the majority (moby inclusive) of so called dance-songs lacks. i'm sorry Moby, as you said you did only "simple, straightforward dance music"."