Search - Johann Sebastian Bach, Helmuth Rilling, Stuttgart Bach Collegium :: Bach: Cantatas, BWV 10, 12, 13

Johann Sebastian Bach, Helmuth Rilling, Stuttgart Bach Collegium
Bach: Cantatas, BWV 10, 12, 13
Genre: Classical

Track Listings (20) - Disc #1
1. Cantata No. 10, 'Meine Seel erhebt den Herren,' BWV 10 (BC A175): No. 1. Coro. Meine Seel erhebt den Herren
2. Cantata No. 10, 'Meine Seel erhebt den Herren,' BWV 10 (BC A175): No. 2. Aria. Herr, der du stark und m?chtig bist
3. Cantata No. 10, 'Meine Seel erhebt den Herren,' BWV 10 (BC A175): No. 3. Recitative. Des H?chsten G?t und Treu
4. Cantata No. 10, 'Meine Seel erhebt den Herren,' BWV 10 (BC A175): No. 4. Aria. Gewaltige st??t Gott vom Stuhl
5. Cantata No. 10, 'Meine Seel erhebt den Herren,' BWV 10 (BC A175): No. 5. Duet e Choral. Er denket der Barmherzigkeit
6. Cantata No. 10, 'Meine Seel erhebt den Herren,' BWV 10 (BC A175): No. 6. Recitative. Was Gott den V?tern alter Zeiten
7. Cantata No. 10, 'Meine Seel erhebt den Herren,' BWV 10 (BC A175): No. 7. Choral. Lob und Preis sei Gott
8. Cantata No. 12 'Weinen, Klagen, Sorgen, Zagen', BWV 12 (BC A68): No. 1. Sinfonia
9. Cantata No. 12 'Weinen, Klagen, Sorgen, Zagen', BWV 12 (BC A68): No. 2. Coro. Weinen, Klagen, Sorgen, Zagen
10. Cantata No. 12 'Weinen, Klagen, Sorgen, Zagen', BWV 12 (BC A68): No. 3. Recitative. Wir m?ssen durch viel Tr?bsal
11. Cantata No. 12 'Weinen, Klagen, Sorgen, Zagen', BWV 12 (BC A68): No. 4. Aria. Kreuz und Krone sind verbunden
12. Cantata No. 12 'Weinen, Klagen, Sorgen, Zagen', BWV 12 (BC A68): No. 5. Aria. Ich folge Christo nach
13. Cantata No. 12 'Weinen, Klagen, Sorgen, Zagen', BWV 12 (BC A68): No. 6. Aria e Choral. Sei getreu, alle Pein
14. Cantata No. 12 'Weinen, Klagen, Sorgen, Zagen', BWV 12 (BC A68): No. 7. Choral. Was Gott tut, das ist wohlgetan
15. Cantata No. 13, 'Meine Seufzer, meine Tr?nen,' BWV 13 (BC A34): No. 1. Aria. Meine Seufzer, meine Tr?nen
16. Cantata No. 13, 'Meine Seufzer, meine Tr?nen,' BWV 13 (BC A34): No. 2. Recitative. Mein liebster Gott l??t mich
17. Cantata No. 13, 'Meine Seufzer, meine Tr?nen,' BWV 13 (BC A34): No. 3. Choral. Der Gott, der mit hat versprochen
18. Cantata No. 13, 'Meine Seufzer, meine Tr?nen,' BWV 13 (BC A34): No. 4. Recitative. Mein Kummer nimmet zu
19. Cantata No. 13, 'Meine Seufzer, meine Tr?nen,' BWV 13 (BC A34): No. 5. Aria. ?chzen und erb?rmlich Weinen
20. Cantata No. 13, 'Meine Seufzer, meine Tr?nen,' BWV 13 (BC A34): No. 6. Choral. So sei nun, Seele, deine

CD Details

All Artists: Johann Sebastian Bach, Helmuth Rilling, Stuttgart Bach Collegium, Arleen Auger, Adalbert Kraus, Aldo Baldin
Title: Bach: Cantatas, BWV 10, 12, 13
Members Wishing: 0
Total Copies: 0
Label: Hanssler Classics
Release Date: 7/13/1999
Genre: Classical
Styles: Opera & Classical Vocal, Chamber Music, Historical Periods, Baroque (c.1600-1750), Classical (c.1770-1830)
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 040888200420, 4010276015048

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CD Reviews

Perfect performances on modern instruments

R. Rockwell | Brooklyn, NY USA | 06/25/2006

(5 out of 5 stars)

"I believe that Bach's complete cantatas beyond just the most famous ones belong in the collections of anyone who loves classical music. I have found that they are consentrated masterpieces. And each one is completely different. I am enamored of Rilling's cycle because of the complete dedication he and his performers give to each work the perform. The only people who will not like Rilling are those who insist on period intruments. I love the booklets that explan each canata and what to look for in them.

This CD includes 10 This my soul exults the Lord which celebrates the visitation and is full of joy from beginning to end. My favorite part was the Bass solo accompanied only with with cello and cembalo.

Nuber 12 Weeping, Wailing ...could not be any different and as one of Bach's first cantatas demonstres how Bach from the beginning was a master of setting words to music. The cantata concluds on a happy note with a tenor aria and chorale perfectly incorporating trumpet.

13oh my sighing... is concerned with the same issue as 12 the fear of sin and possibility of salvation. Here Bach uses recorders as symbol of aspiring to heaven and composed much later than 12 is denser in compostion.

Please buy as many Rilling cantatas as you can afford.

Please excuse typos i have a neuroloic disease."