Johann Sebastian Bach Helmuth Rilling Stuttgart Bach Collegium - Bach Cantatas BWV 3234 (17 tracks) +Album Reviews

Search - Johann Sebastian Bach, Helmuth Rilling, Stuttgart Bach Collegium :: Bach: Cantatas, BWV 32-34

Johann Sebastian Bach, Helmuth Rilling, Stuttgart Bach Collegium
Bach: Cantatas, BWV 32-34
Genre: Classical

Track Listings (17) - Disc #1
1. Cantata No. 32, 'Liebster Jesu, mein Verlangen,' BWV 32 (BC A31): No. 1. Aria. Liebster Jesu, Mein Verlangen
2. Cantata No. 32, 'Liebster Jesu, mein Verlangen,' BWV 32 (BC A31): No. 2. Recitative. Was ist's, daß du mich gesuchet?
3. Cantata No. 32, 'Liebster Jesu, mein Verlangen,' BWV 32 (BC A31): No. 3. Aria. Hier, in meines Vaters Stätte
4. Cantata No. 32, 'Liebster Jesu, mein Verlangen,' BWV 32 (BC A31): No. 4. Recitative. Ach! heiliger und großer Gott
5. Cantata No. 32, 'Liebster Jesu, mein Verlangen,' BWV 32 (BC A31): No. 5. Duet. Nun verschwinden alle Plagen
6. Cantata No. 32, 'Liebster Jesu, mein Verlangen,' BWV 32 (BC A31): No. 6. Choral. Mein Gott, öffne mir die Pforten
7. Cantata No. 33, 'Allein zu dir, Herr Jesu Christ,' BWV 33 (BC A127): No. 1. Coro. Allein zu dir, Herr Jesu Christ
8. Cantata No. 33, 'Allein zu dir, Herr Jesu Christ,' BWV 33 (BC A127): No. 2. Recitative. Mein Gott und Richter, willst du mich
9. Cantata No. 33, 'Allein zu dir, Herr Jesu Christ,' BWV 33 (BC A127): No. 3. Aria. Wie furchtsam wankten meine Schritte
10. Cantata No. 33, 'Allein zu dir, Herr Jesu Christ,' BWV 33 (BC A127): No. 4. Recitative. Mein Gott, verwirf mich nicht
11. Cantata No. 33, 'Allein zu dir, Herr Jesu Christ,' BWV 33 (BC A127): No. 5. Duet. Gott, der du die Liebe heißt
12. Cantata No. 33, 'Allein zu dir, Herr Jesu Christ,' BWV 33 (BC A127): No. 6. Choral. Ehr sei Gott in dem höchsten Thron
13. Cantata No. 34, 'O ewiges Feuer, O Ursprung der Liebe,' BWV 34 (BC A84): No. 1. Coro. O ewiges Feuer, o Ursprung der Liebe
14. Cantata No. 34, 'O ewiges Feuer, O Ursprung der Liebe,' BWV 34 (BC A84): No. 2. Recitative. Herr, unsre Herzen halten dir
15. Cantata No. 34, 'O ewiges Feuer, O Ursprung der Liebe,' BWV 34 (BC A84): No. 3. Aria. Wohl euch, ihr auserwählten Seelen
16. Cantata No. 34, 'O ewiges Feuer, O Ursprung der Liebe,' BWV 34 (BC A84): No. 4. Recitative. Erwählt sich Gott die heilgen Hütten
17. Cantata No. 34, 'O ewiges Feuer, O Ursprung der Liebe,' BWV 34 (BC A84): No. 5. Coro. Friede über Israel

CD Details

All Artists: Johann Sebastian Bach, Helmuth Rilling, Stuttgart Bach Collegium, Arleen Auger, Adalbert Kraus, Frieder Lang
Title: Bach: Cantatas, BWV 32-34
Members Wishing: 0
Total Copies: 0
Label: Hanssler Classics
Release Date: 7/13/1999
Genre: Classical
Styles: Opera & Classical Vocal, Chamber Music, Historical Periods, Baroque (c.1600-1750), Classical (c.1770-1830)
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 040888201120, 4010276015116

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CD Reviews

Spectacular Bach

M. V. Coit | NYC | 01/27/2009

(5 out of 5 stars)

"I'd never heard of the Bach-Ensemble Helmuth Rilling recording but chose it because it had the particular cantatas I wanted. Soloists were outstanding, pace and interpretation absolutely thrilling. I'd get any other one of their Bach recordings."

Two masterpieces

R. Rockwell | Brooklyn, NY USA | 09/02/2007

(5 out of 5 stars)

"I believe that Bach's complete cantatas beyond just the most famous ones belong in the collections of anyone who loves classical music. I have found that they are consentrated masterpieces. And each one is completely different. I am enamored of Rilling's cycle because of the complete dedication he and his performers give to each work the perform. The only people who will not like Rilling are those who insist on period intruments( I have tried Gardiner and one Koopman but find Rilling the best) )I love the booklets that explan each canata and what to look for in them in order to best appreciate Bach's mastery of finding the best way to express the words.

Since the BWV numbers are not sequential this disc contains works from different parts of Bach's life.

BWV 32 Dearest Jesus My desiring is most marked for it's dialogue between the soprano soul and the bass Jesus which is heart rending even in the recitive passages. Bach modelled this dialogue after Italian cantata. This should not be missed.

BWV 33 Alone to thee Lord Jesus Christ is a chorale cantata in which Bach used a cantata on which the text and music were already in existance. Bach integrates the chorale into a concertante movement to begin using oboes and strings to imitate the melody. Later is one of the most beautiful arias in all of music. The alto sings for 8 minutes How timidly... is a pleas for the sinner to be accepted by God and is acccompanied by muted violins, plucked pizzacatto really enhance the effect.

BV O Fire everlasting is a parody in which bach uses music from other works, this works in other cantatas but not here.

Please buy as many Rilling cantatas as you can afford.

Please excuse typos i have a neuroloic disease.

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