English Suite, for keyboard No. 1 in A major, BWV 806 (BC L13): Pr?lude
English Suite, for keyboard No. 1 in A major, BWV 806 (BC L13): Allemande
English Suite, for keyboard No. 1 in A major, BWV 806 (BC L13): Courante
English Suite, for keyboard No. 1 in A major, BWV 806 (BC L13): Courante 2 - Double 1 - Double 2
English Suite, for keyboard No. 1 in A major, BWV 806 (BC L13): Sarabande
English Suite, for keyboard No. 1 in A major, BWV 806 (BC L13): Bourr?e 1 & 2
English Suite, for keyboard No. 1 in A major, BWV 806 (BC L13): Gigue
English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Pr?lude
English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Allemande
English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Courante
English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Sarabande
English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Bourr?e 1 & 2
English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): Gigue
English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15): Pr?lude
English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15): Allemande
English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15): Courante
English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15): Sarabande
English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15): Gavotte 1 & 2
English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15): Gigue
Track Listings (18) - Disc #2
English Suite, for keyboard No. 4 in F major, BWV 809 (BC L16): Pr?lude
English Suite, for keyboard No. 4 in F major, BWV 809 (BC L16): Allemande
English Suite, for keyboard No. 4 in F major, BWV 809 (BC L16): Courante
English Suite, for keyboard No. 4 in F major, BWV 809 (BC L16): Sarabande
English Suite, for keyboard No. 4 in F major, BWV 809 (BC L16): Menuet 1 & 2
English Suite, for keyboard No. 4 in F major, BWV 809 (BC L16): Gigue
English Suite, for keyboard No. 5 in E minor, BWV 810 (BC L17): Pr?lude
English Suite, for keyboard No. 5 in E minor, BWV 810 (BC L17): Allemande
English Suite, for keyboard No. 5 in E minor, BWV 810 (BC L17): Courante
English Suite, for keyboard No. 5 in E minor, BWV 810 (BC L17): Sarabande
English Suite, for keyboard No. 5 in E minor, BWV 810 (BC L17): Passepied 1 & 2
English Suite, for keyboard No. 5 in E minor, BWV 810 (BC L17): Gigue
English Suite, for keyboard No. 6 in D minor, BWV 811 (BC L18): Pr?lude
English Suite, for keyboard No. 6 in D minor, BWV 811 (BC L18): Allemande
English Suite, for keyboard No. 6 in D minor, BWV 811 (BC L18): Courante
English Suite, for keyboard No. 6 in D minor, BWV 811 (BC L18): Sarabande & Double
English Suite, for keyboard No. 6 in D minor, BWV 811 (BC L18): Gavotte 1 & 2
English Suite, for keyboard No. 6 in D minor, BWV 811 (BC L18): Gigue
"A player of taste and superb technique." -- Gramophone "Sublime performances ... simply breathtaking, all thunder and lightning." -- Classics.com "Cerasi's performances are superlative throughout. Her playing is an object... more » lesson in how to create light-and-shade on the harpsichord...from subtle, richly-nuanced reflection to dazzling virtuosity." -- Goldberg Carole Cerasi won the Gramophone Award for her first recording with Metronome. The title also won the French Diapason d'Ord'Année, as did her subsequent releases of C.P.E. Bach and Tomkins. Born in Sweden of Sephardi/Turkish origins, Carole Cerasi has been based in London since 1982. She has long been recognized as having a special affinity with the French clavecinistes, while her repertoire extends from the English virginalists through all the national styles to the early sonatas of Haydn and Beethoven, which she performs on fortepiano. She first became interested in the harpsichord at the age of eleven and was invited three years later by Kenneth Gilbert as the youngest participant in his course in Antwerp. She also had lessons from Gustav Leonhardt and Ton Koopman. Cerasi is now professor of harpsichord at the Yehudi Menuhin School of fortepiano and harpsichord at the Guildhall School of Music and the Royal Academy of Music in London.« less
"A player of taste and superb technique." -- Gramophone "Sublime performances ... simply breathtaking, all thunder and lightning." -- Classics.com "Cerasi's performances are superlative throughout. Her playing is an object lesson in how to create light-and-shade on the harpsichord...from subtle, richly-nuanced reflection to dazzling virtuosity." -- Goldberg Carole Cerasi won the Gramophone Award for her first recording with Metronome. The title also won the French Diapason d'Ord'Année, as did her subsequent releases of C.P.E. Bach and Tomkins. Born in Sweden of Sephardi/Turkish origins, Carole Cerasi has been based in London since 1982. She has long been recognized as having a special affinity with the French clavecinistes, while her repertoire extends from the English virginalists through all the national styles to the early sonatas of Haydn and Beethoven, which she performs on fortepiano. She first became interested in the harpsichord at the age of eleven and was invited three years later by Kenneth Gilbert as the youngest participant in his course in Antwerp. She also had lessons from Gustav Leonhardt and Ton Koopman. Cerasi is now professor of harpsichord at the Yehudi Menuhin School of fortepiano and harpsichord at the Guildhall School of Music and the Royal Academy of Music in London.