Sure, some tempi are too fast...but...
Matthew Mendlik | Boston, MA, United States | 05/03/2005
(3 out of 5 stars)
"For years I've owned an Anthony Newman CD, containing several of the works on these currently-issued discs. I didn't think any of them to be played outrageously quickly, though after reading some recent reviews I have found other Newman performances to be annoyingly fast. But if for nothing else, purchase this CD for BWV (S) 550. I own every recording of this prelude and fugue I have been able to locate (four or five) and clearly, no one understands it the way Newman does. Not only is it one of the most incredible pieces Bach ever wrote (there will of course be contention about this, but I own an awful lot of Bach, and it is my favorite) but Newman's performance of it is simply breathtaking. And no, it is definitely not too fast."
Virtuoso Performances
Todd T. Larson | Massachusetts, USA | 08/06/2009
(5 out of 5 stars)
"Pay no heed to those negative reviews. These are brilliant interpretations of the Great Master. Anthony Newman does a virtuoso job. Highly recommended."
Yet Another Classical Review that will not be Read
Avid Reader | Franklin, Tn | 02/12/2007
(2 out of 5 stars)
"I am convinced that classical music receives the lowest number of visitors of any genre in Amazon incluing garden tools, pet supplies and garden tools. This is an amazing indictment of our society's refusal to even become acquainted with its cultural roots. Oh well, enough griping, now on to a rather dreary review.
It's hard to be critical because I like Newman and love his virtuoso performances. His Romantic playing is exciting and I have NEVER heard a better rendering of Julius Rubke's triumphant "Psalm" Sonata (on "Organ Fireworks"). But the rapid feet and rushed tempi are out of place with the Master. Bach's works do not have what Rachmoninov called the "Point", that one instant that encapsulates the work, a high mark that the whole piece aims for. Instead, it is a steady march toward perfection, growing, building, expanding until a final synthesis. Perhaps the best example is the uncompleted last Fugue of the Kunst der Fuge that unfortunately ended just as the fifth voice entered. Mr. Newman, take your time and allow your JSB to breathe - you'll both feel better.
ALl for Now....Mr Grade - C"