"These recordings are from 1987-9, yet offer generally pleasing sound. I think the engineering is a little dimmer for Book II than for Book I, but that could just be my imagination. Throughout, Bob van Asperen proves to be a fine and sensitive player. There are no eccentricities or catatonic tempi, nor do things get smudged over as on some other recordings. Van Asperen's tempi always let the details shine through, while he can be thrillingly virtuosic when required. For many listeners, a preference for piano or harpsichord will be crucial here. I prefer harpsichord, especially when it's such an appealing instrument as the 1728 model used here. It's worth noting that Anthony Newman recorded Book II in the '70's alternately on three instruments for the different pieces, harpsichord, clavichord, and organ. Newman's thesis was that the preludes and fugues can be interpreted separately. Listening to van Asperen's playing, that idea seem viable and I would love to hear someone try it out on CD. By any standards, van Asperen gives us fine Bach, and this may prove an essential purchase for many collectors."
Articulate
Wagner fiend | London, England | 12/09/2007
(5 out of 5 stars)
"Van Asperen is a fine player, not much known in the US but with a high European reputation and a wide variety of recordings to his credit. Book One is excellently performed and Book Two is almost as good. The recording quality is decent if not spectacular. For the price this is one of the best WTC sets around."
Look No Further! Wait No Longer!
Giordano Bruno | Wherever I am, I am. | 05/01/2009
(5 out of 5 stars)
"Bob van Asperen recorded the Well-Tempered Clavier Books 1 & 2 at least twenty years ago, but his performance remains the most insightful and enjoyable, on any kind of keyboard. "Insightful" because what van Asperen does is to search inside the music for insights rather than to impose "insights" of his willful own, as Gould, Schiff, and Company do. "Enjoyable" because of the sheer beauty of his harpsichord timbres and because on the harpsichord the passagework is transparent enough to hear the full counterpoint. There are other harpsichordists on hand, since 1989, who might be able to play every note more effortlessly than van Asperen, but I haven't heard anyone play with greater concentration and sensitivity. I'm very glad to discover that this performance has been reissued and remains available. Now let's hope that van Asperen's 'Goldberg Variations' will be remastered and reissued also."