Fant Super Komm, Heiliger Geist (Herre Gott), BWV651
Komm, Heiliger Geist (Herre Gott), BWV652
An Wasserflussen Babylon, BWV653
Schmucke Dich, O Leibe Seele, BWV654
Trio Super Herr Jesu Christ, Dich Zu Uns Wend, BWW655
O, Lamm Gottes, Unschuldig, BWV656
Nun Danket Alle Gott, BWV657
Von Gott Will Ich Nicht Lassen, BWV658
Nun Komm, Der Heiden Heiland, BWV659
Trio Super Nun Komm, Der Heiden Heiland, BWV660
Nun Komm, Der Heiden Heiland, BWV661
Track Listings (15) - Disc #2
Allein Gott In Der Hoh Sei Ehr, BWV662
Allein Gott In Der Hoh Sei Ehr, BWV663
Trio Super Allein Gott In Der Hoh Sei Ehr, BWV664
Jesus Christus, Unser Heiland (Der Von Uns), BWV665
Jesus Christus, Unser Heiland (Der Von Uns), BWV666
Komm, Gott Schopfer, Heiliger Geist, BWV667
Vor Deinen Thron Tret Ich (Heirmit) Oder Wenn Wir In Hochsten Noten Sein, BWV668a
Fugue in A, BWV949
Wenn Dich Ungluck Tut Greifen An BWV1104
Wie Nach Einer Wasserquelle, BWV1119
Ach Gott, Tu Dich Erbarmen, BWV1109
Als Jesus Christus In Der Nacht, BWV1108
Con in C, BWV594: I. (Allegro)
Con in C, BWV594: II. Recitativo Adagio
Con in C, BWV594: III. Allegro
Anyone undertaking to perform, much less record, the complete organ works of J.S. Bach deserves credit for stamina and strength of will. Here, Kevin Bowyer gives us the 18 Chorale Preludes from the Leipzig autograph, volum... more »e 10 in his Bach organ works series. These are classic works, recorded on an outstanding instrument--the Marcussen Organ from the Sct.-Hans-Kirke in Odense, Denmark--and the acoustics are superb. Interpretively, however, the recording is hindered by Bowyer's sense of musical timing. For this listener, it was irksome to hear him slow down and otherwise lose intensity at inoipportune moments: before bar lines, trills and significant points of arrival. Whether this is a technical limitation on Bowyer's part or just an affectation of some kind is hard to discern. In any case, it's regrettable. --Gwendolyn Freed« less
Anyone undertaking to perform, much less record, the complete organ works of J.S. Bach deserves credit for stamina and strength of will. Here, Kevin Bowyer gives us the 18 Chorale Preludes from the Leipzig autograph, volume 10 in his Bach organ works series. These are classic works, recorded on an outstanding instrument--the Marcussen Organ from the Sct.-Hans-Kirke in Odense, Denmark--and the acoustics are superb. Interpretively, however, the recording is hindered by Bowyer's sense of musical timing. For this listener, it was irksome to hear him slow down and otherwise lose intensity at inoipportune moments: before bar lines, trills and significant points of arrival. Whether this is a technical limitation on Bowyer's part or just an affectation of some kind is hard to discern. In any case, it's regrettable. --Gwendolyn Freed
"The great "Leipzig Chorales" comprise disc 1 and half of disc 2. (Need I say more?!) Okay; most of the chorales are mellow, introspective; no "Toccata & Fugue in d" here! That's fine with me. (N.B.: Disc 2, track 7 is the last piece of music Bach ever wrote.) The rest of the package is fleshed out with the great Fugue in A, four bonbons, and the Concerto in C (after Vivaldi) (in which Bowyer brings out the colors inherent in the organ's sound which you rarely hear. I can say that because I've been listening to Bach organ music for many years and I've never heard such tone as I have here.) Essential."