Magnificat, BWV243: Trio: Suscepit Israel - Barbara Schlick/Agnes Mellon/Gerard Lesne
Magnificat, BWV243: Chor: Sicut Locutus Est - Collegium Vocale
Magnificat, BWV243: Chor: Gloria - Collegium Vocale
'Ein Feste Burg Ist Unser Gott' BWV80: Choral: Ein Feste Burg Ist Unser Gott - La Chapelle Royale/Philippe Herreweghe
'Ein Feste Burg Ist Unser Gott' BWV80: Aria: Alles, Was Von Gott Geboren - Hanno Muller-Brachmann/Collegium Vocale
'Ein Feste Burg Ist Unser Gott' BWV80: Recitativo: Erwage Doch - Hanno Muller-Brachmann
'Ein Feste Burg Ist Unser Gott' BWV80: Aria: Komm In Mein Herzenshaus - Barbara Schlick
'Ein Feste Burg Ist Unser Gott' BWV80: Choral: Und Wenn Die Welt Voll Teufel War - La Chapelle Royale
'Ein Feste Burg Ist Unser Gott' BWV80: Recitativo: So Stehe Dann - Howard Crook
'Ein Feste Burg Ist Unser Gott' BWV80: Duetto: Wie Selig Sind Doch Die - Gerard Lesne/Howard Crook
'Ein Feste Burg Ist Unser Gott' BWV80: Choral: Das Wort Sie Sollen Lassen Stahn - La Chapelle Royale/Philippe Herreweghe
This recording of the B Minor Mass is, quite frankly, a marvel. In the opening bars of the Kyrie, where tradition dictates a powerful, agonized cry for mercy, Philippe Herreweghe offers a gentle, awestruck plea that t... more »ook this listener's breath away. Extroverted movements like the Gloria, Et resurrexit, and Sanctus lack nothing in excitement; Qui tollis and Dona nobis pacem feel like fervent prayers. Herreweghe's luminous Collegium Vocale and skillful, sensitive instrumentalists make every gesture, large and small, seem exactly right. The soloists have attractive voices that blend with the period instruments and each other; while each is exquisite, tenor Christoph Prégardien and alto Andreas Scholl are magnificent. Bach's Magnificat is almost a microcosm of everything (well, almost) that's wonderful about Bach's sacred music--all in under half an hour. This is exactly what has made it so very popular among conductors and record labels. The great strength of Herreweghe's Magnificat is his soloists: alto Gérard Lesne, tenor Howard Crook, and bass Peter Kooy are solid, confident, and stylish; soprano Barbara Schlick sounds much warmer and more appealing than usual; and she, Agnès Mellon, and Lesne make beautiful music together in the trio "Suscepit Israel." The problem with this Magnificat is that the orchestra and especially the chorus just don't cut loose and get joyful when the music calls for it--the jubilant opening chorus in particular sounds positively genteel. (Try John Eliot Gardiner or Reilly Lewis to hear the difference.) Most Bach fans will probably want more than one Magnificat, however. This set also includes Cantata BWV 80, "Ein' feste Burg ist unser Gott." The piece is basically a multimovement fantasia on Luther's famous hymn tune ("A Mighty Fortress Is Our God" to English speakers) and Herreweghe, using the trumpet and drum parts added by Bach's son Wilhelm Friedemann, gives it a gutsy, thrilling performance, worth having by itself. Finally, this box set includes a bonus CD-ROM Bach Companion, a fascinating multimedia guide that includes the following features: contextual history of Europe around 1700, Bach's Germany, baroque terminology, a chronicle of the Bach family, detailed analysis of 20 works, a "composing machine," and four interactive "Bach games." --Matthew Westphal« less
This recording of the B Minor Mass is, quite frankly, a marvel. In the opening bars of the Kyrie, where tradition dictates a powerful, agonized cry for mercy, Philippe Herreweghe offers a gentle, awestruck plea that took this listener's breath away. Extroverted movements like the Gloria, Et resurrexit, and Sanctus lack nothing in excitement; Qui tollis and Dona nobis pacem feel like fervent prayers. Herreweghe's luminous Collegium Vocale and skillful, sensitive instrumentalists make every gesture, large and small, seem exactly right. The soloists have attractive voices that blend with the period instruments and each other; while each is exquisite, tenor Christoph Prégardien and alto Andreas Scholl are magnificent. Bach's Magnificat is almost a microcosm of everything (well, almost) that's wonderful about Bach's sacred music--all in under half an hour. This is exactly what has made it so very popular among conductors and record labels. The great strength of Herreweghe's Magnificat is his soloists: alto Gérard Lesne, tenor Howard Crook, and bass Peter Kooy are solid, confident, and stylish; soprano Barbara Schlick sounds much warmer and more appealing than usual; and she, Agnès Mellon, and Lesne make beautiful music together in the trio "Suscepit Israel." The problem with this Magnificat is that the orchestra and especially the chorus just don't cut loose and get joyful when the music calls for it--the jubilant opening chorus in particular sounds positively genteel. (Try John Eliot Gardiner or Reilly Lewis to hear the difference.) Most Bach fans will probably want more than one Magnificat, however. This set also includes Cantata BWV 80, "Ein' feste Burg ist unser Gott." The piece is basically a multimovement fantasia on Luther's famous hymn tune ("A Mighty Fortress Is Our God" to English speakers) and Herreweghe, using the trumpet and drum parts added by Bach's son Wilhelm Friedemann, gives it a gutsy, thrilling performance, worth having by itself. Finally, this box set includes a bonus CD-ROM Bach Companion, a fascinating multimedia guide that includes the following features: contextual history of Europe around 1700, Bach's Germany, baroque terminology, a chronicle of the Bach family, detailed analysis of 20 works, a "composing machine," and four interactive "Bach games." --Matthew Westphal
"Herreweghe has become a critical darling among Bach conductors, and this Mass in B minor is certainly worth the buy. I decided to purchase it after seeing Herreweghe perform it live. But now, after some months, the recording is not one that I feel compelled to return to. It basically lacks the passion that drives, for instance, Gardiner in his exhilarating version. There's nothing wrong in Herreweghe's performance by itself, but there's nothing particularly extraordinary either. Sure, choir and soloists are very good, and the orchestra plays nicely, helped by a recording that places it very upfront. But the general smoothness of sound, the much more legato playing than you're probably used to among period instrumentalists and a certain lack of energy make the work lose some of its grandeur. The curious thing is, you'll probably notice this only when comparing it with other recordings (Gardiner and Hickox come to mind, but even Karl Richter is more energetic). The Magnificat has the same assets and liabilities. It's a safe performance, and whoever can't stand Gardiner's fast pace will do no wrong going for it. Still, Hickox would be a better proposition for my taste, with some of the textural clarity that Herreweghe seemed to find only in his splendid second recording of the St. Matthew Passion."
The best recording
Gerardo Cabrera Munoz | México | 03/27/2001
(5 out of 5 stars)
"I don't know what's wrong in Chestnutt Hill, but this magnificent recording of the B Minor Mass is quite simply the best there is. The choir and orchestra are unmatched in any other recording, not even Gardiner brings this quality of sound. As for the soloists, they are heavenly, look in vain for a more searching Agnus Dei than Andreas Scholl's."
Deep, Lively, and Authentic
R. Gerard | Pennsylvania USA | 03/07/2002
(5 out of 5 stars)
"...this is an excellent recording.This release is one of exceptional value: Not only do you recieve Herreweghe's majestic interpretation of Bach's B-Minor Mass, but also the immortal Magnificat in D-Minor, Cantata 80 "Ein Feste Burg ist Unser Gott, and a well organized CD-Rom with too many features to name.This release should exceed your expectations. The Harmonia Mundi sound quality is excellent. Both the choir and orchestra are immaculately balanced. The choir, by the way, is proportioned four-singers-per-part as indicated by Bach himself. This approach by the Collegium Vocale leads to the most appropriate and authentic renditions of Bach music available. Don't let the 16-choir member proportions prevent you from buying this great release because the overall puissance of this record is still retained by Herreweghe's powerful conducting. It still sounds very much like a large choir (although a 16 persons choir was considered large in Bach's time). It is, in fact, the grandest and most satisfying B-Minor Mass/Magnificat/BWV 80 I have yet heard. Play it LOUD!!! The singers are all excellent beyond description.The highlight of the disc was the astronomical "Omnes Generationes" of the D-Minor Magnificat.If you like this set, you might want to consider Harmonia Mundi's similar 3CD+1CDROM sets including "The Famous Cantatas", "St. Matthew Passion", "St. John Passion/1724 Version", with the Collegium Vocale under Herreweghe and "The Christmas Oratorio" with the RIAS Kammerchor under Rene Jacobs."
The Best I Have Heard
Joseph Kent | Los Angeles, CA | 07/09/2002
(5 out of 5 stars)
"I am an experienced listener and a huge Bach fan. I have listened to hundereds of hours of his music, and I have to say that this recording is one of my absolute favorites. This is THE interpretation of the Mass in B minor."