Bach's Last Toccata...
Sébastien Melmoth | Hôtel d'Alsace, PARIS | 03/30/2010
(5 out of 5 stars)
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The apogee of this recording is the e-minor Toccata (first movement of the Partita S. 830).
Bach's "toccatas" are multisectional works containing three to five episodes generally following this formula: i) toccata; ii) adagio or arietta; iii) fugue.
Bach's great e-minor Toccata consists of i) toccata [introduction]; ii) fugue; iii) toccata [conclusion].
Gould was at heart an ardent Romanticist; on the surface, a sleek Modernist.
In this piece, he infuses an ardently subjective Romanticism with an hard-edged Modernism, turning this antiquated Baroque piece inside out: he makes the upward rushing thrust of the Toccata into a pain-filled cry, and the fugue into a studied glacier.
With his uncanny timing, GG stretches out this incredible piece to nearly :10mins duration.
As David says of Goliath's sword, 'There is none like it; give it me' (1 Sam. 21:9c).
The ending (when the fugal theme returns to conjoin the toccata recapitulation)--with Gould's exquisite durée and incredible digital technique--is absolutely breathtaking, giving a diaphanous glimpse into the mystery of Being.
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Gould rarely re-recorded any piece once set to record.
In this issue we have fugues from the WTC2 taken at quite different tempi from the later 1960s issue: fascinating comparison.
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('Da-sein') Being and Time: A Translation of Sein and Zeit (SUNY series in Contemporary Continental Philosophy)
('Diaphaneitè') The Renaissance: Studies in Art and Poetry (Oxford World's Classics)
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Bach: Preludes & Fugues Nos. 1-8 from the Well-Tempered Clavier, Book 2
Bach: Preludes and Fugues Nos. 9-16 from the Well-Tempered Clavier, Book 2
Bach: Preludes & Fugues Nos. 17-24 from the Well-Tempered Clavier, Book 2
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