Search - Samuel Barber, Charles Ives, Aaron Copland :: Barber: Adagio for Strings; Ives: Symphony No. 3; Copland: Quiet City; etc.

Barber: Adagio for Strings; Ives: Symphony No. 3; Copland: Quiet City; etc.
Samuel Barber, Charles Ives, Aaron Copland
Barber: Adagio for Strings; Ives: Symphony No. 3; Copland: Quiet City; etc.
Genre: Classical
 
MARRINER

     
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CD Details

All Artists: Samuel Barber, Charles Ives, Aaron Copland, Henry Cowell, Paul Creston, Neville Marriner, Academy of St. Martin-in-the-Fields
Title: Barber: Adagio for Strings; Ives: Symphony No. 3; Copland: Quiet City; etc.
Members Wishing: 0
Total Copies: 0
Label: Decca
Original Release Date: 1/1/2007
Re-Release Date: 6/12/2007
Album Type: Original recording remastered
Genre: Classical
Styles: Forms & Genres, Concertos, Historical Periods, Modern, 20th, & 21st Century, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 028947582373

Synopsis

Product Description
MARRINER
 

CD Reviews

Great collection of American compositions
S. Moisan | Montreal, Canada | 12/31/2008
(5 out of 5 stars)

"I usually steer clear of these kinds of compilations, but this outstanding collection of American music by Marriner and the ASMF made me reconsider my position. The programme is insightfully selected, with highlights from famous as well as relatively unknown composers, all of whom bring a distinct contribution to the ever-growing sound palette of the American musical identity.



Marriner's Ives is masterful. The scores' reduced orchestral forces offer great opportunity for chamber music-making and everyone involved shines with virtuosity, sensitivity and intelligence. A most impressive and heartful portrayal of New England indeed.



The Copland, Cowell and Creston are equally appealing, especially the neo-classical "Hymn and fuguing tune" featuring a lovely solo contribution by Celia Nicklin on the oboe. She is just as endearing and perhaps displays even more outstanding musicianship on the cor anglais, in Copland's "Quiet City", one of the composer's great pages. Here, though, the trumpet player is less than ideally captured, with intonation going flat quite often. I suspect that the recording, more than anything else, is unflattering, perhaps positioned a bit too closely, which is a shame since the performance is otherwise superb.



The real highlight here is the Barber. Marriner's account baffles every one else's, in my opinion. His unyielding drive towards the climax, perfectly timed, and his complete lack of self-indulgence are thrilling beyond measure. The ASMF strings are at their best, with flawless intonation and superb balance and nuances.



Altogether, this is a classic must-have compilation and anyone with an interest in American classical music, or classical music for that matter, will not be disappointed by it. Warmly recommended!"