Search - Bela Bartok, Franz Liszt, Ditta Bartok-Pasztory :: Bartók Plays Bartók

Bartók Plays Bartók
Bela Bartok, Franz Liszt, Ditta Bartok-Pasztory
Bartók Plays Bartók
Genres: Dance & Electronic, Classical
 
  •  Track Listings (38) - Disc #1


     
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CD Reviews

Bela Bartok, The pianist.
Louie Bourland | Garden Grove CA | 03/15/2007
(5 out of 5 stars)

"Hungarian composer Bela Bartok (born in Romania) was an innovative composer in his day and along with Gyorgy Ligeti is highly regarded as one of the greatest composers to come out of Hungary in the 20th century.

While a majority of Bartok's works are timeless classics in modern Classical repertoire, recordings are Bartok performing his own music are extremely rare to find these days. This is what makes the "Bartok Plays Bartok" disc from Pearl Records such a treat to listen to.

The recordings on this disc date from between 1929 and 1941 and display Bartok's gifts as a solid pianist in their fullest. His pianistic attack and full command of the instrument comes through in every piece included here.

Standouts include the opening piano "Suite", Bartok's own rendition of his famous "Allegro Barbaro" and the "Petite Suite". The 2-piano arrangement of three of Bartok's "Mikrokosmos" pieces is also a standout and features Bartok's wife Ditta as second pianist.

Indeed, there is plenty of history and lessons heard in these historic performances. For a pianist studying on how Bartok's music ought to be played, "Bartok Plays Bartok" is an ideal CD to have. We get to hear a master composer prove himself to be a master pianist.

Definitely a must have for any Bartok fan."
A fascinating glimpse into Barokian style
madamemusico | Cincinnati, Ohio USA | 04/20/2007
(4 out of 5 stars)

"I will be brief. These recordings, made between the late 1920s and 1940, are technically deficient in showing Bartok's fabled tone (though a little of it comes through) but musically fascinating in showing how much more lyrical and gentle his playing of his own music was than that of most pianists today. Based on this evidence, then, pianists like Annie Fischer are much closer to Bartok's musical concept than Gyorgy Lehel or many of the others who have recorded his concerti in recent decades. A major resource for students of Bartok's music. (Only four stars given because of the scratchy discs and boxy sound, not because of intrinsic musical value.)"