Search - Ludwig van Beethoven, Ernest MacMillan, Paul Scherman :: Beethoven: Piano Concertos Nos. 1 & 2

Ludwig van Beethoven, Ernest MacMillan, Paul Scherman
Beethoven: Piano Concertos Nos. 1 & 2
Genre: Classical

Track Listings (7) - Disc #1
1. Concerto For Piano And Orchestra No. 1 In C Major, Opus 15: I. Allegro con brio
2. Concerto For Piano And Orchestra No. 1 In C Major, Opus 15: II. Largo
3. Concerto For Piano And Orchestra No. 1 In C Major, Opus 15: III. Rondo, Allegro Scherzando
4. Concerto For Piano And Orchestra No. 2 In B Flat Major, Opus 19: I. Allegro con brio
5. Concerto For Piano And Orchestra No. 2 In B Flat Major, Opus 19: II. Adagio
6. Concerto For Piano And Orchestra No. 2 In B Flat Major, Opus 19: III. Rondo, Molto allegro
7. Concerto For Piano And Orchestra No. 2 In B Flat Major, Opus 19: III. Rondo, Molto allegro

No Description Available. Genre: Classical Music Media Format: Compact Disk Rating: NR Release Date: 12-OCT-1999

CD Details

All Artists: Ludwig van Beethoven, Ernest MacMillan, Paul Scherman, Sir Ernest Mac Millan, Startime Orchestra, Toronto Symphony Orchestra, Glenn Gould
Title: Beethoven: Piano Concertos Nos. 1 & 2
Members Wishing: 0
Total Copies: 0
Label: Cbc
Release Date: 10/12/1999
Genre: Classical
Styles: Chamber Music, Forms & Genres, Concertos, Historical Periods, Classical (c.1770-1830), Modern, 20th, & 21st Century, Instruments, Keyboard
Number of Discs: 1
SwapaCD Credits: 1
UPC: 059582201527

Synopsis

Product Description

No Description Available.
Genre: Classical Music
Media Format: Compact Disk
Rating: NR
Release Date: 12-OCT-1999

CD Reviews

The irreverence of the genius is always uncomfortable for th

Hiram Gomez Pardo | Valencia, Venezuela | 01/26/2007

(5 out of 5 stars)

"Glenn Gould left an indelible trace in the memory of several generations and to my mind, will keep exerting an overwhelming influence on new generations of pianists to come. And even, no matter if you don' t agree with him around certain performances, but his level of commitment, bulletproof personal conviction and admirable ideas about the musical interpretation, free of arcane conventionalisms, opened new paths in order to explore new horizons.

These are not transcendental performances, but posses his personal touch and steeled honesty which by itself means something, specially in those ages, in which the homogeneity of the sound seems to be a symptom of refined pianism."