Norma, opera: Act 1. Vieni in Roma, ah! vieni, o cara
Norma, opera: Act 1. Vanne, e li cela entrambi
Norma, opera: Act 1. Adalgisa!... Alma costanza
Norma, opera: Act 1. Ah s?, fa core e abbracciami
Track Listings (15) - Disc #2
Norma, opera: Act 1. Oh! di qual sei tu vittima
Norma, opera: Act 1. Vanne, s?, mi lascia indegno
Norma, opera: Act 2. Dormono entrambi
Norma, opera: Act 2. Me chianni, o Norma?
Norma, opera: Act 2. Mira, o Norma
Norma, opera: Act 2. S?, fino all'ore estreme
Norma, opera: Act 2. Non parti? Finora ? al campo
Norma, opera: Act 2. Ah! del Tebro al giorgo indegno
Norma, opera: Act 2. Ei torner?! S?!
Norma, opera: Act 2. Norma, che fu?
Norma, opera: Act 2. N? compi il rito, o Norma?
Norma, opera: Act 2. In mia man alfin tu sei
Norma, opera: Act 2. Gi? mi pasco nei tuoi sguardi
Norma, opera: Act 2. Qual cor tradisti
Norma, opera: Act 2. Deh! non volerli vittime
The presence of Franco Corelli on this Norma is by itself enough to drive sales to a mass audience. But Anita Cerquetti in the title role? This fabulous soprano, whose career was cut short by ill health, had the voice most... more » like that of Maria Callas, and her recordings are few. Connoisseurs will line up! Live performance, January 4, 1958.« less
The presence of Franco Corelli on this Norma is by itself enough to drive sales to a mass audience. But Anita Cerquetti in the title role? This fabulous soprano, whose career was cut short by ill health, had the voice most like that of Maria Callas, and her recordings are few. Connoisseurs will line up! Live performance, January 4, 1958.
"In the aftermath of Maria Callas' famous 1st Act walk-off in January 1958, Anita Cerquetti came on for the remaining Rome Opera performances. After hearing this highly flawed recording you may fume in futile fury that Decca or Cetra or somebody did not rush the cast very next morning into a studio for a commercial setting down. Too bad, they didn't.
Cerquetti's histrionics are not of Callas proportions--one does not cringe before her "trema per te, felon!"--but her voice is always wonderfully rich, vibrant, above all Steady, and--without wobble. Corelli was still in the early flush of his natural endowment, and he luxuriates in the super machismo high testosterone chestiness of it all.
There are apparently limits to digital technology. Altho Opera D'oro's is some improvement over the vinyl "pirate" edition of decades ago--the voices are brought forward more satisfactorily--the sound is, by contemporary standards--even by 1958 air-check standards--wretched. This was supposedly a broadcast pick-up but one might think it was taken off by a guy in the top balcony with a mini concealed in the hanky pocket of an outlandish sports jacket. It is uneven, scratchy at times, cavernous, top-suppressed...on and on. Still, at only $12, Normaphiles' existence with this version "omitted, all the voyage of their life Is bound in shallows and in miseries""