Search - Ben Webster :: Soul of Ben Webster

Ben Webster
Soul of Ben Webster
Genres: Jazz, Pop, Broadway & Vocalists

Track Listings (26) - Disc #1
1. Fajista
2. Chelsea Bridge
3. Charlotte's Piccolo
4. Coal Train
5. When I Fall In Love
6. Ev's Mad
7. Ash
8. Blues For The Blues
9. Blues For Piney Brown
10. Moonlight In Vermont
11. Taste On The Place
12. Blues For The Blues (Previously Unissued Alternate Take)
13. Gee, Baby, Ain't I Good To You?
14. Blues For Bill Basie
15. You're Getting To Be A Habit With Me
16. I Didn't Know About You
17. Reelin' And Rockin'
18. Gone With The Wind
19. Honey Hill
20. Blues-A-Plenty
21. Don't Take Your Love From Me
22. Saturday Afternoon Blues
23. Satin Doll
24. Cool Your Motor
25. Reelin' And Rockin' (Previously Unissued Alternate Take)
26. Don't Take Your Love From Me (Previously Unissued Alternate Take)
Track Listings (14) - Disc #2
1. Gee, Baby, Ain't I Good To You?
2. Blues For Bill Basie
3. You're Getting To Be A Habit With Me
4. I Didn't Know About You
5. Reelin' And Rockin'
6. Gone With The Wind
7. Honey Hill
8. Blues-A-Plenty
9. Don't Take Your Love From Me
10. Saturday Afternoon Blues
11. Satin Doll
12. Cool Your Motor
13. Reelin' And Rockin' (Previously Unissued Alternate Take)
14. Don't Take Your Love From Me (Previously Unissued Alternate Take)

CD Details

All Artists: Ben Webster
Title: Soul of Ben Webster
Members Wishing: 3
Total Copies: 0
Label: Polygram Records
Original Release Date: 5/23/1995
Release Date: 5/23/1995
Genres: Jazz, Pop, Broadway & Vocalists
Styles: Swing Jazz, Traditional Jazz & Ragtime, Oldies, Vocal Pop, Traditional Vocal Pop
Number of Discs: 2
SwapaCD Credits: 2
UPC: 731452747525

Synopsis

Amazon.com

This superb two-CD set of master swing musicians at their mature best includes three LPs recorded in 1957 and 1958 under the leadership of Webster, trumpeter Harry "Sweets" Edison, and altoist Johnny Hodges, with Webster's breathy tenor as the common link between them. Each session has its own distinct character: Webster's own is a blowing session that matches him with fellow tenorist Harold Ashby in a program of loose originals; that of Hodges is deeply Ellingtonian, with bravura trumpet from Roy Eldridge and subtle glimpses of Billy Strayhorn's piano. Sprinkled throughout are gems of the jazz ballad art from some of its greatest practitioners, including Webster on Strayhorn's "Chelsea Bridge," Edison on "Gee, Baby, Ain't I Good to You," and Hodges, unique in his ability to make "Satin Doll" eternally, freshly sensuous. --Stuart Broomer

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CD Reviews

Three Verve Reissues in One Package

William Faust | Columbus, Ohio | 09/16/2000

(5 out of 5 stars)

"How can you go wrong with this 2 CD set that combines three late 1950's Verve recordings by Ben Webster, Harry "Sweets" Edison and Johnny Hodges into one set. Roy Eldridge comes along for the ride as well as a few other notables from the Norman Granz stable. This collection of music includes a lot of swing renditions of classic standards and some blues, and a few ballads. Each leader shines on his respective set, especially Edison who's selection of 8 tunes is heavily swing/blues oriented in a very Basie-esque style. Highly recommended if you're a small ensemble swing fan."

A Real Treasure

Magic Mike | 11/16/2007

(5 out of 5 stars)

"I write few reviews, and do so only when I feel I should support someone's music buying decision (whether to buy, or to be warned). In this case, I believe your dollars will be well spent here. Many reviewers will define the performances and/or arrangements of a recording, and I will say it would be hard to find finer than those contained here. But I would like the reader to know that the recording quality and it's final presentation to you on these compact disks is superb. If you're a jazz CD listener, I'm sure that every once and awhile you come across a recording from the 50's and say, "Wow, that sounds like a totally digital recording made today!" That's what you'll find here. Not only will you experience really supreme performances by Webster, Edison and Hodges, but the dynamics of several of the recordings seem to place the listener literally inside their instruments. You can almost see the light of day from within Webster's sax itself, through the opening and closing valves, and feel the moisture of his reed and the pressure of his bite (and I don't play an instrument). The squeezed sounds from the muted trumpet too are so perfect, and it's as if your sharing the studio and sitting right next to these guys. Sometimes I come across a CD or set that I seem to play over and over. This is one of those sets."