"One runs out of superlatives trying to describe this, one of Bernstein's last projects as conductor. One of his greatest scores, "Candide" has many memorable musical numbers, and here it is almost ideally cast, brimming with great singing, a terrific orchestra and all in wonderfully realistic sound. Jerry Hadley's beautiful, plaintive voice is ideal here, whether with June Anderson in "Oh Happy We" or by himself in the somber "It Must Be So." Anderson also makes short work of the dazzling "Glitter and Be Gay," one of Bernstein's all time crowd pleasers. And some of the "minor" roles are perfectly cast, such as Adolph Green and Christa Ludwig, the latter especially charming as The Old Lady in the glorious "I Am Easily Assimilated." Even the chorus sounds magnificent, such as in the hilarious "What a Day (For An Auto-Da-Fe)" and climactic "What's the Use."The original cast recording is a classic, and of course has the great Barbara Cook in her prime. But this one might be considered a gift from its composer/conductor, with its strong cast, terrific sound, and inspired direction by one of the greatest conductors (and composers) ever."
THIS IS THE GREAT BERNSTEIN
W. Hidalgo Salas | Lima, Perú | 03/31/2004
(5 out of 5 stars)
"When Leonard Bernstein tried to be a "serious" composer, the results were only pretentious. When he wrote "light" music, the results were wonderful and original. In Candide, he is really the great composer Leonard Bernstein. And the great conductor too - he and his cast are unbeatable. I don't care what the Broadway standards are for length of a musical, all the music in this cds is valuable, belongs to the piece and should be heard every time this show is given."
The best of all possible Musicals!
Erik Arnesen | Trondheim, Norway | 03/13/2003
(5 out of 5 stars)
"The first Bernstein show I saw/heard was West Side Story, which everyone is familiar with.
It wasn't until last autumn that I started to listen to "Candide". To-day, it's my favorite musical/operetta, and nothing can compare to it!
My friend and I, we study music together, are both great fans of this masterpiece. I really love it!
I haven't heard any recordings but this one, but nothing could be done better in this production.
The singers are very good, especially Cunegonde. The guy who sings Pangloss isn't a very good singer, but anyway he is perfect for the role.
"
A hybrid Candide is (nearly) perfect
Santa Fe Listener | Santa Fe, NM USA | 12/02/2005
(4 out of 5 stars)
"Since almost everyone owns a CD burner now, it's possible to compile a hybrid performance that merges the classic 1956 original cast recording (Sony) with this very complete DG performance from 1989, which features Bernstein conducting nearly every delicious bit he composed for the show over a period of three decades. Candide is the sum of original inspiration and a lot of mixed after-thoughts.
I mention this recourse becasue for all its virtues--this is a well-reocrded set with alert conducting from Bernstein (without the extra fat he added to his semi-operatic West Side Story with Te Kanawa and Carreras) the weakest thing here are the two leads. Jerry Hadley has a gorgeous voice, but he applies a layer of ersatz emotion carried over from the Met, and June Anderson is even more the crossover diva who never lets us forget that she was born to sing Norma, not Cunegonde.
They are so inferior to the brilliant Barbara Cook and Robert Rounseville on the original-cast album that I hit upon the idea of a hybrid performance. Keep all of the 1956 selections and splice in additional music from this set in proper sequence. It doesn't make for perfection, because after decades of tinkering with the score, allowing Broadway babies Hal Prince and Stephen Sondheim to hang ugly tinsel on it, Bernstein includes some trashy numbers (the text of the opening quartet is a cringe-worthy Sondheim addition) and revives some inferior discards from the original score.
Even so, the finished hybrid product is very satisfying, much greater than the sum of its parts. One gets to hear a classic show saved by the skin of its teeth when Columbia producer Goddard Lieberson decided to make a cast recording of a flop, with the addition of brilliant music that never got into that first album. This DG performance gets 4 stars, the hybrid 5 stars."