Search - Virgina Babikian, Adele Addison, Marlena Kleinman :: Bernstein Century - Debussy: The Martyrdom of St. Sebastian

A great performance of the Bernstein fashion...

Ytzan | Athens, GR | 11/18/2002

(3 out of 5 stars)

"This is a great work. Debussy's "Saint Sebastien" is for me his best work (many may disagree with me here but I really find this a great masterpiece). The performance is full of passion and the soloists are great in every respect. Bernstein's narration adds to the performance with his deep characteristic voice. All that said I find this interpretation somewhat less memorable than that of Tilson Thomas on Sony too. The narration there is in French and though I do not speak the language I think that it fits better the work than the enlgish translation of the Bernstein's CD. Also Tilson Thomas is very intense(very tough to believe that somebody is more passionate than Lenny, but it's the truth). Finally the digital recording outshines the ~ 40 year old CBS/Sony sound."

Much better than some critics would suggest

albertatamazon | East Point, Georgia USA | 05/07/2002

(5 out of 5 stars)

"Bernstein's recording of Debussy's work for narrator and/or actors with orchestra has never been one of his most famous recordings; in fact, I never even knew he had made one until it was released on CD as part of the "Bernstein Century" series. It is the only version of the "Martyrdom" narrated and acted in English, and Bernstein himself did the adaptation. (The sung portions are still done in French, which means Bernstein has wisely not tampered with any of the sung text.) Predictably, the stuffy and oh-so-traditional critics have had harsh words for the narrated and acted portions, some going so far as to call it "unlistenable", and even "homoerotic", while others maintain it is simply over the top. While it IS more flamboyant than most of the other versions I have heard, and while the French version may stick more closely to D'Annunzio's original text, I still enjoy this version very much, and Bernstein has shown remarkable foresight in presenting his audience with a version of this work that they can easily follow. His wife, actress Felicia Montealegre, enacts the role of St. Sebastien, and while she does sound pretty frenzied much of the time, it does make sense that her portrayal of the martyr should sound as if he were experiencing a wild sense of ecstasy (hence, the accusations of sadomasochism and homoeroticism hurled at this adaptation). Fritz Weaver is the narrator, and his part has been especially created as a sort of guide to pointing out what we should expect to hear. His narration is restrained, eloquent, and he has plenty of opportunity to display his rich speaking voice. Bernstein conducts, and the New York Phiharmonic plays, with great sensitivity, and the recorded sound is excellent. You do, however, have to turn up the volume somewhat to hear some of the spoken text (especially Weaver's narration) clearly. This, however, should not deter you from listening to this excellent, quite unusual, but very accessible version of "The Martrydom of St. Sebastien". In many ways, this is the most accessible version of all, and it is difficult to understand the critical howls over a performance which makes the work easier to follow without sacrificing any of its integrity."