Symphony No. 4 in A major ('Italian'), Op. 90: 1. Allegro vivace
Symphony No. 29 in A major, K. 201 (K. 186a): IV. Allegro con spirituoso
Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro
Serenade, for strings in E minor, Op. 20: I. Allegro piacevole
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Scene 2, No. 3b: Cavatine - Entre l'amour et le devoir
Symphony No. 1 in D major ('Titan'): III. Kräftig bewegt, doch nicht zu schnell
Symphony No. 25 in G minor, K. 183 (K. 173dB): I. Allegro con brio
Parsifal, opera, WWV 111: Grail Theme and Finale to Act 3
Symphony No. 6 in B minor ('Pathétique'), Op. 74: II. Allegro con grazia
Symphony No. 5 in C sharp minor: IV. Adagietto. Sehr langsam
Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando
Symphony No. 22 in C major, K. 162: III. Presto assai
Track Listings (10) - Disc #2
Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): II. Un bal. Valse allegro no
Die Zauberharfe, melodrama, D. 644: Overture
The Planets, suite for orchestra & female chorus, Op. 32, H. 125: III. Mercury, the Winged Messenger
Symphony No. 40 in G minor, K. 550: I. Molto allegro
Symphony No. 3 in D minor, WAB 103: III. Scherzo, Trio
Symphony No. 1 in C minor, Op. 11: Menuetto. Trio
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Quaerens me, Andante sostenuto
Symphony No. 5 in C minor ('Fate'), Op. 67: I. Allegro con brio
Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne hast
Symphony No. 9 in C major ('The Great'), D. 944: IV. Allegro vivace
From Roger Norrington: "All my concerts and recordings with the Stuttgart Radio Symphony Orchestra are characterized by a serious attention to historical playing style, which has up to now normally been associated only wit... more »h period-instrument orchestras. The central, and most revolutionary, feature of our style is our adoption of the sound of earlier times. We play with the `pure tone' so much talked about by the old masters before the arrival of 20th century vibrato. This beautiful, warm tone was the normal sound of every orchestra from Bach's time to Mahler's. The honest, expressive `noble cantilena' of pure tone seems to us crucial in the performance of their music. This recording gives you the opportunity to hear how a modern symphony orchestra can reconnect with its roots and embrace the traditions of the past."« less
From Roger Norrington: "All my concerts and recordings with the Stuttgart Radio Symphony Orchestra are characterized by a serious attention to historical playing style, which has up to now normally been associated only with period-instrument orchestras. The central, and most revolutionary, feature of our style is our adoption of the sound of earlier times. We play with the `pure tone' so much talked about by the old masters before the arrival of 20th century vibrato. This beautiful, warm tone was the normal sound of every orchestra from Bach's time to Mahler's. The honest, expressive `noble cantilena' of pure tone seems to us crucial in the performance of their music. This recording gives you the opportunity to hear how a modern symphony orchestra can reconnect with its roots and embrace the traditions of the past."