It would be easy--too easy, in fact--to compare pianist Bill Charlap to the great Bill Evans. Easy because Charlap has the same kind of knack for spacious lyricism and impressionistic chordal harmonies that characterize th... more »e late jazz icon, and his interplay on Written in the Stars with his amazing rhythm team of bassist Peter Washington and drummer Kenny Washington recalls Evans's telepathic improvisation with Paul Motian and Scot LaFaro. Charlap treats the classic American songbook the way few young pianists treat it. Charlap, 33 years old as Stars comes to market, plays classics like "In the Still of the Night," "On a Slow Boat to China," and "Blue Skies" with such deep affinity that it's hard to believe he wasn't sitting right there when these tunes were written. His take on "Blue Skies" starts with a gorgeous rubato version of the tune's seldom-heard verse, weaves contrapuntal harmonies over the tune's chorus, and features some dazzling interplay between Charlap and bassist Washington--a recurring phenomenon, as the trio's members show remarkable empathy with each other on every track. In an age with no shortage of promising young pianists, Blue Note must have felt there was something special about Bill Charlap. One listen to Written in the Stars assures us that they made the right call. --Ezra Gale« less
It would be easy--too easy, in fact--to compare pianist Bill Charlap to the great Bill Evans. Easy because Charlap has the same kind of knack for spacious lyricism and impressionistic chordal harmonies that characterize the late jazz icon, and his interplay on Written in the Stars with his amazing rhythm team of bassist Peter Washington and drummer Kenny Washington recalls Evans's telepathic improvisation with Paul Motian and Scot LaFaro. Charlap treats the classic American songbook the way few young pianists treat it. Charlap, 33 years old as Stars comes to market, plays classics like "In the Still of the Night," "On a Slow Boat to China," and "Blue Skies" with such deep affinity that it's hard to believe he wasn't sitting right there when these tunes were written. His take on "Blue Skies" starts with a gorgeous rubato version of the tune's seldom-heard verse, weaves contrapuntal harmonies over the tune's chorus, and features some dazzling interplay between Charlap and bassist Washington--a recurring phenomenon, as the trio's members show remarkable empathy with each other on every track. In an age with no shortage of promising young pianists, Blue Note must have felt there was something special about Bill Charlap. One listen to Written in the Stars assures us that they made the right call. --Ezra Gale
andre salz | Quakertown, Pennsylvania USA | 11/27/2000
(5 out of 5 stars)
"It's about time in all the meanings of that phrase. I have been following this gifted pianist through recordings and live at the Deer Head Inn, where he often plays. Bill Charlap is the real aricle, and in his own way a continuation of Tommy Flannagan and many others. Although on this recording you do not hear his bebop chops, which I was priveleged to hear backing the master Phil Woods, it was a gutsy decision to stay with the standards as only he can play them. Here we have one of the only young Jazz players who thinks also of tempo, doesnt rush and thats why he can live in the notes he's playing and make them count. The rest of the trio is made up of players familiar to those listining to the best contemporary music, both virtuoso musicians who know when less is more. Please go and buy this recording it's one you can grow old with."
Bill Evans without the melancholy
Edward G. Slatcher | Pottstown, PA USA | 01/12/2004
(5 out of 5 stars)
"This from the owner of uncountable jazz piano recordings going back to Tatem, Teddy Wilson, Nat Cole and with an overflow library of Bill Evans. Charlap does the best, most creative, most lively interpretation of standards I've ever heard. You need do no more than listen to the back-to-back cuts of "Slow Boat to China" (whoever did that one like this before?) and "One for My Baby" to get an idea of his versatility and creative range. He is just as good on his Stardust album and on "All through the night"."
A fine trio performance
mwn52 | 12/02/2001
(5 out of 5 stars)
"I just finished listening to an interview of Bill Charlap on NPR's Weekend Edition Sunday. I've had this gorgeous CD for at least a year and play it often. I also had the pleasure of hearing Charlap play live with the Phil Woods Quintet last year. On this CD, Charlap and his trio mates, Kenny Washington (d) and Peter Washington (b), offer a wonderful selection of 11 standards (Blue Skies and Where or When in waltz time are two of my favorites) that reinterpret these tunes in a consistently lyrical and appealing way. You might be tempted to pop this CD in the player as background music, but I recommend that you listen to it carefully and attentively, because I guarantee that your appreciation of the sensitive and intelligent interaction of these outstanding players will be even greater as a result. Bill Charlap probably isn't a household name, even among many jazz fans, but if he continues to turn out fine performances like this one I hope he will be."
Three As One
mwn52 | 01/20/2002
(5 out of 5 stars)
"Any true jazz fan knows that the names Bill Charlap, Peter Washington and Kenny Washington on a CD basically assures the finest quality of beautiful jazz available. However, what sets this CD apart from other great jazz CDs is the beautiful, sensitive treatment give to all ballads and the surprises inherent in the arrangements of the more uptempo tunes. All three giants of this music are creative and beautiful improvisors and continually compliment one another. I couldn't find enough words in the dictionary to highly recommend this CD - you've got to purchase it and find out for yourself!"
Where have you been, INDEED!
ellv8r | Long Island, New York | 03/12/2002
(5 out of 5 stars)
"An amazing fact about jazz is that we keep rediscovering it.
I thought I knew all the great Cole Porter tunes, but here
comes a wonderful rendering of his "Where Have Your Been?" and I
cannot get it out of my head! Charlap makes everything sound
easy - sort of like Ralph Sharon....which is maybe why he has recently been playing with Tony Bennett."