Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Prelude
Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Aragonaise
Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Intermezzo/interlude
Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Seguidilla
Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): The Soldiers of Alcala
Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): The Toreadors
Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Marche des Contrebandiers
Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Habañera
Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): La Garde Montante
Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Danse Bohème
L' Arlésienne, suite for orchestra No. 1, from the incidental music: No. 1, Prelude
L' Arlésienne, suite for orchestra No. 1, from the incidental music: No. 2, Menuet
L' Arlésienne, suite for orchestra No. 1, from the incidental music: No. 3, Adagietto
L' Arlésienne, suite for orchestra No. 1, from the incidental music: No. 4, Carillon
L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Pastorale
L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Menuetto
L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Farandole
Leopold Stokowski was a marvel, plain and simple. He retained his interpretive powers undiminished until well into his 90s--in fact, he died with several projects still on the boards. Among his classic later recordings w... more »ere a series of projects for Sony, including Sibelius's First, Brahms's Second, and this sterling collection of Bizet suites. There have been entire books written about Stokowski's ability to get his characteristic "sound" from just about any orchestra, as well as his interest in recording technique, and all of these qualities come together here in performances that are simply the last word in brilliance and vitality. Extraordinary. --David Hurwitz« less
Leopold Stokowski was a marvel, plain and simple. He retained his interpretive powers undiminished until well into his 90s--in fact, he died with several projects still on the boards. Among his classic later recordings were a series of projects for Sony, including Sibelius's First, Brahms's Second, and this sterling collection of Bizet suites. There have been entire books written about Stokowski's ability to get his characteristic "sound" from just about any orchestra, as well as his interest in recording technique, and all of these qualities come together here in performances that are simply the last word in brilliance and vitality. Extraordinary. --David Hurwitz
Trevor Gillespie | San Jose, California United States | 12/08/1999
(5 out of 5 stars)
"I don't know any other recordings of this particular music, so I base my opinions on what I hear. The music is incredible, the interpretation is as well, and the CD as a whole pleases. I've heard a lot about Leopold Stokowski. One thing I heard was that this was one of his greatest last recordings."
Excellent
Sungu Okan | Istanbul, Istanbul Turkey | 11/04/2003
(5 out of 5 stars)
"This is a must have for "Carmen", "L'Arlesienne" or Stokowski admirers.As you know, this CD contains Bizet's most famous works and performances are excellent.This record (of course, originally LP) was issued for celebrate that, Stokowski's 95th birthday and his 60th year in recording industry. And this is his one of the last recordings.Carmen Suites are excellent and the performance of L'Arlesienne is very good, but I recommend one more recording of this work: Sir Thomas Beecham's recording with his Royal PO, released on EMI)...Highly recommended"
Stokowski Was Born to Conduct Carmen
Doug - Haydn Fan | California | 05/17/2008
(5 out of 5 stars)
"Although well-known, Leopold Stokowski for some reason never quite receives the respect that other famous conducting names garner. This is a shame, because at the top of his game Stokowski simply leaves his peers to shake their heads in wonderment at his ability to produce colors from an orchestra.
In these two pieces by Bizet Stokowski takes what can only be described as a third rate orchestra - the National Philharmonic - and precedes to elicit playing quite as exciting as the best in these over-recorded selections. What distinquishes Stokowski's way in Bizet is his remarkable sensitivity, his light touch, effortlessly incorpoarted into a floating rythmic propulsion; all this decorated with lavish displays of instrumental colors.
As fine a piece of conducting as you can hope to hear in these works, a wonderful momento of this legendary leader at his best, and an absolute top choice for someone wishing to own this music on CD.
"
Definitive, But One Big Flaw
MusicMaven | Mason Neck, VA USA | 06/03/2006
(4 out of 5 stars)
"Probably one of the definitive recordings of the Carmen Suites. Full of energy and excitement, well read, and well played! Wonderful sonics, too.
The flaw: The opening cymbal crash in Suite No. 1 is slightly cut off on my CD. Unforgiveable if all CDs share this flaw. Otherwise, great!
I disagree with another reviewer about the L'Arlsienne Suites -- I found them excellent and I have no problem with their tempi."