Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 1. Prélude
Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 4. Prélude (Aragonaise)
Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 3. Prélude (Intermezzo)
Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 2. Prélude (Les dragons d'Alcala)
Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 3. Scène des contrabandiers
Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 1. Habanera
Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 3. Nocturne
Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 1. La Garde montante
Carmen Suites for orchestra Nos. 1 & 2 (assembled by Ernest Guirard): Act 2. Danse bohémienne
L' Arlésienne, suite for orchestra No. 1, from the incidental music: Prélude
L' Arlésienne, suite for orchestra No. 1, from the incidental music: Minuetto
L' Arlésienne, suite for orchestra No. 1, from the incidental music: Adagietto
L' Arlésienne, suite for orchestra No. 1, from the incidental music: Carillon
L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Pastorale
L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Intermezzo
L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Minuet
L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Farandole
Overture 'Patrie', for orchestra, Op. 19: Farandole
Track Listings (16) - Disc #2
Symphony in C major ('No. 1'): 1. Allegro vivo
Symphony in C major ('No. 1'): 2. Adagio
Symphony in C major ('No. 1'): 3. Allegro vivace
Symphony in C major ('No. 1'): 4. Allegro vivace
Petite Suite, pieces (5) for orchestra (orchestration of Jeux d'enfants Nos. 6, 3, 2, 11, 12): Marche: Trompette et tambour
Petite Suite, pieces (5) for orchestra (orchestration of Jeux d'enfants Nos. 6, 3, 2, 11, 12): Berceuse: La poupée
Petite Suite, pieces (5) for orchestra (orchestration of Jeux d'enfants Nos. 6, 3, 2, 11, 12): Impromptu: La toupie
Petite Suite, pieces (5) for orchestra (orchestration of Jeux d'enfants Nos. 6, 3, 2, 11, 12): Duo: Petit mari, petite femme
Petite Suite, pieces (5) for orchestra (orchestration of Jeux d'enfants Nos. 6, 3, 2, 11, 12): Galop: Le bal
La Jolie Fille de Perth, orchestral suite: Prélude
La Jolie Fille de Perth, orchestral suite: Sérénade
La Jolie Fille de Perth, orchestral suite: Marche
La Jolie Fille de Perth, orchestral suite: Danse Bohémienne
Danzas fantásticas, for orchestra (or piano), Op. 22: 1. Exaltación
Danzas fantásticas, for orchestra (or piano), Op. 22: 2. Ensueño
Danzas fantásticas, for orchestra (or piano), Op. 22: 3. Orgía
Bizet's Carmen was misunderstood at its premiere in 1875. The Opera-Comique was a place where respectable families could be entertained, and where virginal daughters could be introduced to blameless sons with marriage in m... more »ind. No one expected to see uncouth gypsies, dirty smugglers and vulgar cigarette girls on its stage, let alone unvarnished human passions and murder, as Bizet so vividly portrayed them in Carmen! This 2CD set brings together Ansermet's complete Bizet stereo recordings for Decca, are good-natured and piquant without being showy for showiness's sake. The 'rural' element of so much of the music in the Bizet suites is emphasised and in L'Arlesienne, Ansermet ensures that the Provence sun and starlight shine clearly through the music's textures. Likewise, his approached to the early Symphony is summery and there is an unpressured willingness to give the symphony space in which to breathe. Nothing is forced, and melodies are allowed to come into happy bloom. Joaquin Turina was born in Seville, the city in which most of Carmen is set, so he could hardly avoid composing 'Spanish music'. Turina's Danzas fantasticas are more abstract and less stereotypical than some of the other Spanish repertory Ansermet recorded, but they require no less of a visceral response. Ansermet's languid, sensual, intoxicating, and sometimes even sinister reading of this score, brilliantly captured by Decca's engineering team, remains a standard by which other recordings should be judged.« less
Bizet's Carmen was misunderstood at its premiere in 1875. The Opera-Comique was a place where respectable families could be entertained, and where virginal daughters could be introduced to blameless sons with marriage in mind. No one expected to see uncouth gypsies, dirty smugglers and vulgar cigarette girls on its stage, let alone unvarnished human passions and murder, as Bizet so vividly portrayed them in Carmen! This 2CD set brings together Ansermet's complete Bizet stereo recordings for Decca, are good-natured and piquant without being showy for showiness's sake. The 'rural' element of so much of the music in the Bizet suites is emphasised and in L'Arlesienne, Ansermet ensures that the Provence sun and starlight shine clearly through the music's textures. Likewise, his approached to the early Symphony is summery and there is an unpressured willingness to give the symphony space in which to breathe. Nothing is forced, and melodies are allowed to come into happy bloom. Joaquin Turina was born in Seville, the city in which most of Carmen is set, so he could hardly avoid composing 'Spanish music'. Turina's Danzas fantasticas are more abstract and less stereotypical than some of the other Spanish repertory Ansermet recorded, but they require no less of a visceral response. Ansermet's languid, sensual, intoxicating, and sometimes even sinister reading of this score, brilliantly captured by Decca's engineering team, remains a standard by which other recordings should be judged.