""Statesboro Blues", anyone? No, it's not an Allman Brothers original, although they've always done well by it.
Unlike the Allmans, William Samuel McTell never had a hit record, and even people who know a little bit about the blues sometimes tend to forget about him when they talk about the greatness of Robert Johnson, Son House or Big Bill Broonzy.
But he deserves better than that. Blind Willie McTell a wonderful singer, not a raspy powerhouse vocalist like Charlie (sic!) Patton, sure, but a clear, expressive tenor, and one of the finest acoustic blues guitarists you're ever likely to hear. You'll be looking for the name of the second guitarist on several of these waxings and realize that McTell is doing it all on his own.
And he was much more than just a one-trick pony, too; "Statesboro Blues" may be the best known song here, but there are plenty of other truly memorable numbers, including the beautiful slide guitar blues "Mama, 'Tain't Long Fo' Day" and the crisp "Writin' Paper Blues".
This box set looks a bit cartoonish, sure, the kind of low-budget stuff of dubious provenance that you buy at your local Wall-mart. But it's not. It is a thoroughly assembled, well annotated set, and the asking price is exceedingly reasonable.
If you've listened to a lot of 20s blues recordings you'll know that the sound quality usually isn't all that impressive eighty-some years later. It frequenty sucks, in fact.
But these carefully selected masters are a pleasant surprise. Only a few of the mid-'30s sides and the relatively primiive non-commercial Lomax-sides have some surface noise; otherwise the sound quality is very good, the equal of any pre-war McTell compilation on the market for sure, and perhaps more than that. And all four discs are well annotated, including thorough recording information. Nice job, JSP, as always.
Unlike Catfish's otherwise excellent three-disc compilation "The Definitive Blind Willie McTell", this set includes McTell's religious sides, too, as well as several minutes of very interesting interview snippets conducted by John Lomax during the 1940 session. (Willie McTell sounds strikingly urbane, more so than the 73-year-old John Lomax, who adresses him in a condescending manner, and seemingly doesn't understand or appreciate McTell's elegant, sophisticated brand of blues.)
McTell's sides with vocalist Ruth Willis are here as well, and plenty of sides with fellow guitarist Curly Weaver, making this the definitive overview of the music of Blind Willie McTell at the height of his abilities. This is the one to go for if you want anything more than just a sampler."
A True Poet of The Blues
D. B Pepper | Plainview, NY United States | 12/04/2003
(5 out of 5 stars)
"Blind Willie McTell was a true poet of the blues and also a master guitar player. Songs like "Statesboro Blues," "Writin' Paper Blues," "Ticket Agent Blues," "Talkin' To Myself," "Love Changin' Blues," "Lay Some Flowers On My Grave" and "Teasin' Brown" are all magnificent highlights of this 4 cd set. The only drawbacks are the lousy vocals of the female singers whom McTell backs on some of the tracks, and the extremely racist views that Lomax holds, and demonstrates on disc 4. Otherwise, this is a wonderful buy."
Brilliant,get it.
foomum | Swansea,Wales,U.K. | 07/01/2004
(5 out of 5 stars)
"I came to this box set having heard nothing of the music of Blind Willie McTell,I just thought I'd take a chance.I do not regret it for one solitary second,the whole set is brilliant.Unlike some more famous blues artists,Mr.McTell sang in a soft voice that displays his regional accent.He sang clear and he sang sweet.His guitar playing is fantastic,it's hard to believe that there is only one player on a lot of these recordings,but's that indeed how it is,and thanks to the clarity of the vast majority of the recordings,I would recommend this set without reserve."
A good starter
K. Parent | Daejeon | 03/13/2006
(5 out of 5 stars)
"This is great, but it's still not all the McTell you need. To really have everything, you'll need his later recordings, titled 'Atlanta Twelve-String,' 'Pig'n'Whistie Red' and 'Last Session.' Of these three, the last one is for completists only, but the first two are not only stunning, but stunning in more modern sound quality. His voice had matured and lowered quite a bit before these more modern recordings were made, but (except for the last session where he was not only aging but drunk as well) it sounds very strong and vibrant.
The JSP box here, on the other hand, focuses on his early sides and the field recordings for Lomax. Unless you own these cuts on other CDs, this is really worth getting.
However, it is NOT delta blues as some reviewers like to say. Blind Willie was not from the delta and does not play in the delta style."
Nobody sings the Blues like Blind Willie Mc Tell
Alan J. Wood | Sydney, NSW Australia | 09/03/2005
(5 out of 5 stars)
"A wonderful resource for those interested in The Blues. Willie sang and played both slide and 12 string guitar and whether he performed novelty numbers, gospel or the blues, he was brilliant.
Apart from the music, this set is worthwhile for the interview with John Lomax on disc D. I cringed to hear Lomax ask Willie about songs about 'complaining songs' such as 'Ain't it hard to be a [...], and I had to remind myself that Lomax was 'of his time' and using a term that had currency with both black and white people at that time. Willie cleverly moves the conversation along and then we are back to the music which is breathtaking. This set should be in the collection of everyone who loves the blues."