Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Stabat Mater dolorosa
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Cujus animam gementem
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Quae moerebat et dolebat.
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Qui est homo. Adagio assai
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Pro peccatis. Allegretto
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Eja Mater. Larghetto non t
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Tui nati. Allegro vivo-Ada
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Virgo virginum. Andantino
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Fac ut portem. Larghetto
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Fac me plagis. Allegro com
Stabat Mater for soprano, cello & orchestra in F minor, G. 532 (revised for 3 voices & orchestra, Op. 61): Quando corpus morietur. An
Of all the settings of the traditional Stabat Mater text by the great composers, perhaps that by Luigi Boccherini (1743-1805) is least known, a fact that seems perplexing today, when there are countless recordings of th... more »e Stabat Mater (admittedly beautiful) by a much less famous composer, Pergolesi. The present work may indeed be Boccherini's most important vocal composition, as he was best known for his instrumental works.« less
Of all the settings of the traditional Stabat Mater text by the great composers, perhaps that by Luigi Boccherini (1743-1805) is least known, a fact that seems perplexing today, when there are countless recordings of the Stabat Mater (admittedly beautiful) by a much less famous composer, Pergolesi. The present work may indeed be Boccherini's most important vocal composition, as he was best known for his instrumental works.