Search - Arrigo Boito, Eve Queler, József Gregor :: Boito - Nerone / Eve Queler

No Mefistofele this

Julian Grant | London, Beijing, New York | 09/22/2000

(3 out of 5 stars)

"It's fascinating to hear Boito's other opera, one that he tinkered with for most of his life and never finished at his death. The libretto actually has 5 acts, but the music only 4. Toscanini championed this work greatly, but it never took off and it's easy to hear why.Bernard Shaw put it most aptly, talking of 'Mefistofele' that where other composers had set 'Faust' to music, Boito had put music to 'Faust'. In 'Mefistofele' the music has a vitality that rides over the limitations Boito had as a composer: here, in 'Nerone', the language is less bold, less confident, there are some surprising harmonies and twists, but more often than not imitations of late Verdi. The scenario is over complex and rather discursive, though there are passages where the libretto is so eloquent (see Simon Magus's big solo in act 1) that you'd give your eye teeth to have known what it might have sounded like if Verdi had set it. Some of the music is memorable, notably that of the hysterical Asteria, and the final scene in the bowels of the burning Coliseum, and it is given every benefit of the doubt in this performance: Eve Queler does her very best with the ramshackle structures of the acts and plays the big moments to the hilt. The music for Fanuel and the Christians is pious and rather dull. The singing is by and large vivid and characterful, and the recording bright, and copes well with the atmospheric opening, which alternates snatches of various offstage musics with a conversation on stage.An interesting footnote in the history of opera here well presented and brought to intermittent life."

Magnificent performance of a neglected masterpiece

madamemusico | Cincinnati, Ohio USA | 06/02/2002

(5 out of 5 stars)

"When Arrigo Boito died, "Nerone" was left unfinished. Conductor Arturo Toscanini orchestrated the four completed acts from Boito's instructions, and he did a fine job. but to date no one has been able to reconstruct the fifth act which only exists as a few sketches.Nevertheless, "Nerone" is a superb work. Except for the second act, which sounds like typical Italian verismo, the music is taut, dramatic and surging, in the manner of Gluck or Berlioz rather than like his contemporaries Puccini and Leoncavallo. Eve Queler conducts with Toscanini-like intensity (her tempos and phrasing compare very favorably with Toscanini's own performances of Act 3 and Act 4, Scene 2), and except for the baritone, all of the singers are superb--not only in good voice but dramatically committed. Yes, the price is rather high, but if you enjoy opera as a presentation in music of drama, this is one recording that will sweep you away."