Search - Boom Bip :: Blue Eyed in the Red Room

Gone are the samples, the static and the noise...

Port Royal Sound | Port Royal, SC | 04/07/2005

(5 out of 5 stars)

"Those wishing to pigeonhole Boom Bip (Bryan Hollon) as a strict turntablist falling into the "underground rap" or "alternative hip hop" genres will be thoroughly disappointed with this release. Those recognizing Boom Bip as a multi-disciplined artist interested in forging his own musical path rather than sticking in the confines of a specific genre will, at a minimum, be intrigued by this cd's departure from the previous release "Seed to Sun". Gone are the samples, the static and the noise. In their place are layer upon layer of guitars, autoharps, and other various stringed instruments, keyboards and mechanical beats all performed by Boom Bip.



Many of the tracks, "Cimple", "Girl Toy", "Dumb Day", and "One eye around the warm corner" consist of bizarrely simple melodies and chord progressions that result in melodious washes of sound rather than individual structured songs. The standout tracks include "The Move", "The Dos and the Don'ts" and "The Matter (of our discussion)"



"The Move" is simply one of the catchiest electronic instrumental tracks ever released and will probably make it's way into several chill-out compilations. But what stands out in this track is the bridge which is made up of layers of repetitive guitar lines (almost in the vein of Steve Reich) that build and build until the original theme again emerges. "The Dos and the Don'ts" is a sparse, epic track featuring Gruff Rhys of Super Furry Animals. The final track features the voice of Nina Nastasia floating over a layer of guitars and autoharps that are as drifting and unstructured as the song's lyrics.



In conclusion, buy this cd! Buy it new! Support this artist.

"

Igloo Magazine's REVIEW

Pietro Da Sacco | 12/02/2005

(4 out of 5 stars)

"Review by: Mat Propek at [...]

(04.07.05) Bryan Hollon is a flower. Planted in the rough ground as a seed, he sprouted with From Seed to Sun, promising a colorful and vibrant explosion in the seasons ahead. Now, with Blue Eyed in the Red Room, released just as the first blush of spring is in the air, Hollon has bloomed. Gone are the heavy antecedents of hip-hop (smartly realized by him and Doseone on his first release, Circle), gone are the reliance on electronic composition that laced From Seed to Sun. Blue Eyed in the Red Room is filled with the organic sound of live instrumentation, all crafted and created by Hollon himself and layered into a series of engaging instrumental pieces.



Skating on the edge of the territory dubbed "folktronica" (an appellation which came to life following From Seed to Sun and Four Tet's Rounds), the ten tracks of Boom Bip's Blue Eyed in the Red Room are graceful compositions that evoke the colorful resurrection of spring. From the careful articulation of the acoustic guitar in "One Eye Round the Warm Corner" to the light rain-like chatter of percussion in "Soft & Open" to the hanging tones of "Girl Toy," the vibrancy of the efforts here seem unconscious and effortless, belying the careful craft and extensive musical skills of Hollon (who played all the parts himself). It is easy to revel in the warm embrace and glowing arrangements of these songs. It may be too easy, in fact, to dismiss these pieces as sprightly fluff.



Blue Eyed in the Red Room closes with "The Matter (Of Our Discussion)," featuring Nina Nastasia against a dappled shower of auto-harp and strings. The light changes with this final melancholic moment, this fading of love. As our hearts quietly break with Nastasia's words, it only becomes more clear how innocent and untroubled the rest of the record is, how Hollon has realized his seemingly facile expression of uncluttered joy. Boom Bip has left hip-hop, jazz, trip-hop and folktronica behind. Hollon continues to draw what he likes from his influences and use this grist to fuel his evolution. He has bloomed into something new and we're all left scratching our heads, trying to redraw the borders of our classifications."