"How I do love this recording! I got it on LP's eons ago. The CD re mastering is wonderful. Much more sonic detail.
I realize that we're now supposed to eschew (or even detest) the
Rimsky version of this opera (of which this recording is an example); but this Boris is still the one for me. Christoff (who sings three roles on this recording) is amazing as the tormented and guilt-ridden Czar. He floats the last few bars of the farewell to Feodor/prayer to a degree of breath-taking (No. Make that jaw-dropping) beauty I've not heard any other Boris do before or since this recording. Evelyn Lear is in sumptuous voice as Marina. The Dimitri and the rest of the cast are also admirable.
If one is not totally dedicated to the detestation of the Rimsky edition (or even if one is so dedicated), this is a Boris not to be missed."
Terrific performance and good sound
Clark Anthony | Switzerland | 06/03/2007
(5 out of 5 stars)
"If you are not preoccupied about exactly who wrote what notes in this version of the opera, this set will sweep you off your feet."
Mussorgsky wrote. Korsakow "corrected"
Osvaldo Colarusso | Curitiba, Paraná Brazil | 12/16/2007
(1 out of 5 stars)
"The revision of Korsakow was unfortunately used in all the world until the 70s.Mussorgsky was so modern that no one could understand his rhythms, his harmony and his orchestration .Korsakow didn't corrected, as the majority of people think, only the orchestration. He changed rhythms, harmony and the order of the scenes. Now this revision is part of the past.No one serious theater in the world uses it now. If you yet insist in hear this masterpiece in these criminal "revision" by Korsakow , this is the recording.The singers are good and the conductor is excellent.But if you want to know Boris in the way the author wrote, you must hear the recordings of Gergiev, Abbado, Fedoseyev , Tchakarow....But hearing this "soft" version you will hear less than the half of one of the most important operas of all the times."
One of the Greats
Steven Muni | Sutter Creek, CA USA | 10/25/2008
(5 out of 5 stars)
"This version is badly cut,and purists may sneer at the Rimsky-Korsakoff arrangement, but it has two things going for it. The first thing is Boris Christoff. The second thing is Boris Christoff. (He sings three roles in this recording, which is a little confusing, but what the heck!) Christoff, with a rich and powerful bass-baritone, was one of the 20th century's leading exponents of the role of Boris Godunov. He is simply a force of nature in the title role, yet with the ability to shade his voice into heartrending beauty and sorrow. The rest of the cast is excellent. Andre Cluytens conducts with a terrific mix of power and sensitivity, and the quality of the recording is quite good. While this may not be everybody's first choice, it belongs on every opera lover's shelf simply because it gives us the chance to hear one of the greatest bass-baritones of the century in his signature role.