Stephen Fine | Gainesville, Florida USA | 05/05/2001
(5 out of 5 stars)
"In this recording, Kim Kashkashian is at her finest. One of the most glorious things ever recorded (in my humble opinion) is track two of this CD. She pays due homage to the composers score, but isn't so strict that she couldn't call the piece her own. If you are just getting into the viola, and want to hear some fantastic music (or if you're going to be playing either of the Brahmses any time soon) buy this recording. Oh... the thing that makes it "almost a perfect recording" is that the piano seems a little too loud throughout. I could do with a little more viola."
The definitive recording
wga001 | Denton, Texas United States | 12/20/2000
(5 out of 5 stars)
"Ms. Kashkashian's recordings of these two great sonatas are in a word, gorgeous. If you are familiar with the viola, or are even just wondering what in the world a viola is, (perhaps a mis-spelled violin??) then these peices will be a valuable addition to your recording collection. This beautiful music can be enjoyed again and again, each listening revealing new colors that were un-noticed before. Very highly recomended."
Fine performances from both artists
D. Chiapello | Phoenix, AZ United States | 01/02/2003
(4 out of 5 stars)
"With all due respect, I have to voice my disagreement with reviewer John Grabowski's criticism of Robert Levin's performances on this recording. I find his playing quite spirited and assertive. In fact, I think he and Kashkashian work beautifully together. These are sensitive performances all around."
Enriching
David Saemann | 08/27/2008
(5 out of 5 stars)
"Late Brahms is full of pitfalls for the interpreters. It is sublimely reticent music, which can collapse if the approach is less than inward and plays too obviously to the audience. Kashkashian and Levin have a very winning take on these pieces. Kashkashian's playing is rarely lush, but it is technically very secure and always preserves the big line of these works. Levin is perhaps best known on CD as a fortepianist, although he made a set of Bach's English Suites on the modern piano. Here I find his playing rich and sensitive, with an attention to nuances that late Brahms piano music of all kinds ideally requires. As a partnership, Levin and Kashkashian are superb. Their attention to each of the subtle tempo marking of these pieces gives their performances a great deal of character, without being overly fussy or pompous. They are captured in excellent sound engineering, with a fine balance between the two instruments. I should note that the booklet features quite a few pictures of the artists, proving that Kashkashian is rather a pretty woman, in a not very ostentatious way. I suppose she will join Cynthia Phelps of the N.Y. Philharmonic in a club for glamorous violists."