"Szell is at his best here. The Cleveland Orchestra never sounded better under Szell. To achieve clarity in this monster is a feat in and of itself, and Szell has done just that. If you don't want exquisite, heart-wrenchingly clear and pure resolution of each and every inner voice, seldom heard on other recordings or in performances of Brahms' orchestral music in general, DON'T buy this CD. No one has ever done this work better, I think."
Superb
David Lee | Canada | 05/26/2004
(5 out of 5 stars)
"Here is the right ingredients for Brahms E minor symphony. Add the delicacy of the winds with the incredible warmth of the brass and this is certainly has to be once of the most successful Brahms in the history of interpretation. Movement one has a natural unforced flow which allows the themes to expand nicely. Woodwinds are just wonderful..The slow music in the second movement is well done. The secondary theme which comes from the lower strings is marvelous.The third movement has a excellent sense of pace without the bombast we hear from other groups...The variations in this recording are the most flawlessly caught...the trombone choir in the last pages is fantastic. Bravo Cleveland and Szell"
A classic that's nearly perfect
Mark Decker | New York, NY | 12/11/2001
(4 out of 5 stars)
"This is surely one of the finest recordings you can get of the Brahms Fourth. The clarity Szell draws from the Cleveland orchestra is amazing, and every voice is heard. Szell's strength is that he is an exemplary musician. However, this is also his weakness, as he is so rigid in his tempi that he loses much of the dramatic impact of the work. The fourth movement is quite compelling tempo-wise, but lacks that real "oomph" that makes a great reading. If you want really engaging emotional involvement, look for Von Karajan or Bernstein. But if you want the most precise musicianship available and ultra-clear voices, the Szell is your pick."
A classic
G.D. | Norway | 02/25/2010
(5 out of 5 stars)
"Szell's 1968 performance of Brahms's fourth has ever since its release been considered something of a top choice, at least by many. It still is. even though I can understand why someone would want a better recorded version to complement it - that is, the sound is clear and with lots of presence, especially in the bass, but has a certain brightness to it that does betray its age. Overall, this is a very robust performance; the opening movement is a sweeping, powerful and stirring as I've ever heard, yet Szell and the Clevelanders obtain this power and sinewy, smoldering drama without resorting to mannerism or over-emotionality. The slow movement is beautifully reflective and full of character and the scherzo as spry and rhythmically alive as I have ever heard; the finale is utterly thrilling. Of course, the success of the performance is also due to gorgeous responses from the Cleveland players, especially the wonderful woodwind playing. And if Szell does have strong competitors in the symphony, I suspect he wins hands down in the couplings, in particular the superb, powerful rendering of the Academic Festival Overture. Overall, then, this is a great recording and something of an essential acquisition."