Acertate Mas, for jazz ensemble - Laurindo Almeida,
Terra Seca, for jazz ensemble - Laurindo Almeida,
Stairway to the Stars, song (from "Park Avenue Fantasy")
Speak Low, song for voice & piano (from 'One Touch of Venus') - Laurindo Almeida,
Acertate Mas, for jazz ensemble
Baa-Too-Kee (Batuque) - Laurindo Almeida,
Terra Seca, for jazz ensemble
Tocata, for jazz ensemble - Laurindo Almeida,
Speak Low, song for voice & piano (from "One Touch of Venus")
Nono, for jazz ensemble - Laurindo Almeida, Farres, O
Speak Low, song for voice & piano (from "One Touch of Venus")
Blue Baiao, for jazz ensemble - Laurindo Almeida, Barroso, Ary
Inquietacao, for jazz ensemble
Baa-Too-Kee (Batuque)
Malague?a for voice & piano - Laurindo Almeida, Babasin, H.
Carinhoso, for guitar
Insomnia, for jazz ensemble - Laurindo Almeida, Lecuono, Ernesto
Eili, Eili - Laurindo Almeida, Almeida, Laurindo
Tocata, for jazz ensemble
Hazardous, for jazz ensemble
Nono, for jazz ensemble
Noctambulism, for jazz ensemble
Blue Baiao, for jazz ensemble
Bourree
Mystified, for jazz ensemble
Malague?a for voice & piano
Sueno (Dream), for jazz ensemble
Insomnia, for jazz ensemble
Eili, Eili
Brazilliance for guitar trio
Tea For Two, song
The Brazilian guitarist and composer Laurindo Almeida was closely identified with four different major genres across a lengthy career which began as a staff guitarist and bandleader at a radio station in Rio de Janeiro. Br... more »azilian music remained an essential constituent of much of his subsequent work, whether played straight or combined with his other major loves, jazz and classical music. "Concert Creations for Guitar" is Alemeida's first album from 1950. It is a beguiling set of intimate unaccompanied pre-bossa guitar pieces that Almeida performed alone, unamplified onstage in those days which compliments "Brazilliance" perfectly.« less
The Brazilian guitarist and composer Laurindo Almeida was closely identified with four different major genres across a lengthy career which began as a staff guitarist and bandleader at a radio station in Rio de Janeiro. Brazilian music remained an essential constituent of much of his subsequent work, whether played straight or combined with his other major loves, jazz and classical music. "Concert Creations for Guitar" is Alemeida's first album from 1950. It is a beguiling set of intimate unaccompanied pre-bossa guitar pieces that Almeida performed alone, unamplified onstage in those days which compliments "Brazilliance" perfectly.