Album DescriptionBRIMSTONE HOWL's sound is a furious mix of 60's influenced garage and old school punk that has been alternately described as "scuzzy blues-ish punk gone Killed by Death, like a lo-fi, art damaged early Gun Club," and "'60s blues-based rock 'n' roll played Billy Childish style-super loose, raw, and f*d-up." Born in the small towns of southeast Nebraska, the boys of BRIMSTONE HOWL worked on the farms and now make their music in Lincoln, a city-town neither urban enough for dandies or country enough for rodeo motorcyclists. Cranking out several 45s in one year, including one engineered by Jay Reatard, they've toured and played with bands such as the Black Lips, Radio Moscow, Boston Chinks, Gris Gris, and the Black Keys. Delivering in-your-face live performances, they describe themselves as "Guitar sluts and hook thieves with hearts of chrome, but with pretty good lyrics," and their music as "like burnt, steady tom beats, the blues, and looooooowwwwwd fuzz." Impressed by the band's dual sonic attack and on-stage presence, producer Dan Auerbach of the Black Keys has perfectly captured their wall of blasting fuzz and primal energy on this great rock'n'roll album.