Search - Anton Bruckner, Nikolaus Harnoncourt, Vienna Philharmonic Orchestra :: Bruckner: Symphony No. 5 (with Excerpts from the Rehearsals) [Hybrid SACD]

Bruckner: Symphony No. 5 (with Excerpts from the Rehearsals) [Hybrid SACD]
Anton Bruckner, Nikolaus Harnoncourt, Vienna Philharmonic Orchestra
Bruckner: Symphony No. 5 (with Excerpts from the Rehearsals) [Hybrid SACD]
Genre: Classical
 

     
?

Larger Image

CD Details

All Artists: Anton Bruckner, Nikolaus Harnoncourt, Vienna Philharmonic Orchestra
Title: Bruckner: Symphony No. 5 (with Excerpts from the Rehearsals) [Hybrid SACD]
Members Wishing: 0
Total Copies: 0
Label: RCA
Release Date: 3/8/2005
Album Type: Hybrid SACD - DSD
Genre: Classical
Style: Symphonies
Number of Discs: 2
SwapaCD Credits: 2
UPC: 828766074925

Similar CDs

 

CD Reviews

First Thoughts...
Iyer | Bethesda, MD | 03/09/2005
(4 out of 5 stars)

"Disclaimer: I have just completed listening to this rendition. I will have to listen to this several more times to fully understand what Harnoncourt is trying to do, but am writing this "First Thoughts" posting in the hope that it will give prospective buyers some preliminary guidelines.



Not surprisingly, Harnoncourt has taken the "Text" to the cleaners and has completely rethought the partitur with the collaboration of Benjamin Gunnar-Cohrs. One fascinating example of this is the revelation of the relevance of Mozart's contrapuntal technique in his Requiem on Bruckner's composing method. The endlessly rewarding rehearsal CD that comes with the actual performance (or "performances", since this is the usual cut and paste job done over several live recordings) explicates this in some detail.



There are several new and wonderful things that Harnoncourt has brought out in this the most structurally perfect Bruckner symphony. I will post some musings on how they work after repeated listenings. But my overall impression is that, in the end, (and please bear mind that this is a first listen on my part) Harnoncourt has done the work of a master restorer (and I mean that as the highest praise) in revealing the inner workings of this great score, but has somehow fallen short of illuminating the canvas as a whole.



It is too early to compare this rendition with the acknowledgedly great recordings of Horenstein, Wand (NDR), and Sinopoli, but this is a CD that you should give very serious consideration. I feel that it is a rendition that will reveal its truths slowly but surely.



The playing of the VPO is, despite an uncharacteristic horn flub in the last movement and the usual over-bright trumpets, generally first-rate, with some magical moments in pianissimo playing that only this orchestra can summon.



Happy listening!"
Harnoncourt's Bruckner's 5th
N. Hopkins | Stockton, CA USA | 12/31/2005
(5 out of 5 stars)

"Over the past half century I've owned upwards of three dozen recordings (on LP, tape, and CD) of the Bruckner 5th -- every one, in fact, I could lay my hands on.



Harnoncourt's is -- to my great surprise -- far-and-away the best. The tempi are perfect; the dyamics are perfect; the playing, especially in the strings, is perfect.



Among many other highlights of this recording: the beautifully paced chorale in the 2d movement, the sensible contrast between the scherzo and trio sections in the 3d movement, the stately pacing of the fugue in the 4th.



Knowing Harnoncourt mostly from his recordings of the complete Bach cantatas (alternating with Gustav Leonhardt), I was much impressed by his recording of Bruckner's 9th. It is very good. But his recording of the 5th exceeds anything he has done outside Bach."
Magnificent
Dave | Hoffman Estates, IL USA | 08/05/2006
(5 out of 5 stars)

"This recording of Bruckner's 5th with Nikolaus Harnoncourt and the Vienna Philharmonic features superb playing and recorded sound of an enormous dynamic range. The orchestra is presented as both transparent and weighty, such as the timpani strokes, which have great clarity and presence. The soundstage is also very deep and immersive, and the pianissimo parts are practically inaudible while the fortissimo (and beyond) is almost overwhelming.



This quality really supports Harnoncourt's interpretation, which is one of contrasts throughout -- both in dynamics and tempi. His handling of this difficult work, particularly the complex fugal finale, is extremely persuasive. This performance is definitely a must if you're a fan of this great symphony, or if you're unfamiliar and wish to discover it. The bonus CD of the rehearsal excerpts is also very interesting and should help you brush up on your German..."