BT's This Binary Universe is really a follow-up to his 2004 soundtrack to Monster, a brilliant work of cinematic moods and ambient Americana. It was unjustly ignored by both the Oscars and the Grammys, where it should have... more » at least been nominated for Best Surround Sound Recording. None of that has stopped Brian Transeau from going further down this path of expansive ambient electronica that takes him out of the techno-pop and trance direction he had been pursuing. This Binary Universe taps into BT's classical side, with expansive arrangements and intricate, albeit minimalist, thematic development. From the opening of "All That Makes Us Human Continues," BT reveals himself as a master of Eno-esque melancholy, as simple melodies evolve through an electro-orchestral instrumental palette. Lounge jazz with solos in the key of abstract, plaintive arpeggiated guitars, electro marches, minimalist hymns, and pastoral dreamscapes drive an album that seeks out joy and redemption, but not without traveling through the dark. The last track, "Good Morning Kaia," is a paean to his newborn daughter, and the most purely anthemic track on the disc.I suspect the real raison d'être of This Binary Universe is the accompanying 5:1 surround DVD. BT creates an immersive space that's less sonic pinball and more audio sculpture, often revealing different aspects of his music than in the stereo mix. Each song on the DVD has a unique video that includes antique robots, surreal landscape drawings, live action fantasies, and abstract designs. It's the best way to experience this music, but whether you watch the DVD or tune into the stereo CD, This Binary Universe may be the first ambient symphony of the 21st century. --John Diliberto« less
BT's This Binary Universe is really a follow-up to his 2004 soundtrack to Monster, a brilliant work of cinematic moods and ambient Americana. It was unjustly ignored by both the Oscars and the Grammys, where it should have at least been nominated for Best Surround Sound Recording. None of that has stopped Brian Transeau from going further down this path of expansive ambient electronica that takes him out of the techno-pop and trance direction he had been pursuing. This Binary Universe taps into BT's classical side, with expansive arrangements and intricate, albeit minimalist, thematic development. From the opening of "All That Makes Us Human Continues," BT reveals himself as a master of Eno-esque melancholy, as simple melodies evolve through an electro-orchestral instrumental palette. Lounge jazz with solos in the key of abstract, plaintive arpeggiated guitars, electro marches, minimalist hymns, and pastoral dreamscapes drive an album that seeks out joy and redemption, but not without traveling through the dark. The last track, "Good Morning Kaia," is a paean to his newborn daughter, and the most purely anthemic track on the disc.I suspect the real raison d'être of This Binary Universe is the accompanying 5:1 surround DVD. BT creates an immersive space that's less sonic pinball and more audio sculpture, often revealing different aspects of his music than in the stereo mix. Each song on the DVD has a unique video that includes antique robots, surreal landscape drawings, live action fantasies, and abstract designs. It's the best way to experience this music, but whether you watch the DVD or tune into the stereo CD, This Binary Universe may be the first ambient symphony of the 21st century. --John Diliberto
Matthew Antonich | Madison Heights, Michigan United States | 09/01/2006
(5 out of 5 stars)
"If you come into This Binary Universe expecting a rehash of the utterly disappointing, yet mainstream friendly Emotional Technology, you're going to be disappointed. If all you want is generic trance and electronic-pop music, then look elsewhere.
Serious music fans, however, owe it to themselves to pick up BT's latest and greatest CD. Written mostly as a collection of lullabies for his daughter, Kaia, I can only describe it as majestic, unsurpassed beauty in musical form.
The sticker on the CD case contains the following quote:
"...it could well be studied as the first major electronic work of the new Millennium. It's that good.", Stephen Fortner, Keyboard Magazine
Stephen Fortner is not lying.
This record is a work of art. It's a masterpiece. It's a gift to everyone from one of the most innovative musicians working today and I feel blessed to have heard it and being allowed to share in something so obviously personal.
Never before has a record taken me through such a range of emotions; from pure elation and happiness, to deep, reflective sadness. It's the type of record that can give you hope - it's that remarkable.
"1.618" is so absurdly beautiful it doesn't seem like something that could even be created by a simple human being. "See You On The Other Side" is melancholy, yet so full of hope. The grand scope of "The Anhtkythera Mechanism" is nothing short of mindblowing, but it was the last track on the album that did it.
It was the first song to ever make me weep.
"Good Morning Kaia" is the single most beautiful piece of music I have ever experienced in all the years I have been alive. The accompanying video on the DVD features video footage and still pictures of BT and his daughter together and is so touching, so personal, that only the most jaded individual would find it difficult not to cry as they watch the unadulterated and unconditional love of a father for his daughter. As the pictures and private film rolls by, a message from father to daughter scrolls across the screen. Set to the music, it will move anyone with a heart and soul to tears, and parents themselves should keep a box of tissues handy.
In fact, the real treat of this album IS the DVD, not for the videos for each song. Sure, they're neat and filled with some beautiful and surrealistic CG imagery, but it's the DTS surround sound mix found on the DVD that is worth the extra cash. After hearing the 5.1 mix of the record, it almost seems unfair to listen to the 2-channel stereo recording on the CD.
This record, particularly the surround sound mix, pushes the boundaries of electronic music, yet it still retains much of that trademark BT sound with loads of stutters and filters. Yes, it's downtempo, but it's not a completely new direction for him. Anyone familiar with his film scores may find it somewhat comparable to his score for the film Monster. Personally, I'd rather see BT grow as an artist than make another record like Emotional Technology, which was a severe letdown after the brilliance of Movement In Still Life (by which I refer to the European version, not the cannibalized U.S. release).
I can only thank Mr. Brian Transeau for sharing this amazing work with us all and urge everybody with an open mind and an appreciation for music to purchase This Binary Universe."
Versatility at its finest.
Shawn P. | USA | 08/30/2006
(5 out of 5 stars)
"I'll say right off the bat that I'm sure there will be people who purchase this album thinking it is a lot like his previous releases. I'm here to let you know that it isn't anything like those works in terms of feel, tempo, etc. This release from BT has more of an electronic-melodic-jazzy-classical-ambient-minimal feel to it. The songs range around 10 minutes in length so the 30 second clips don't really give you much to get an idea of what this album has to offer.
If you want a dance album then I would say that you would want to hold off until BT releases his next work. Apparently, he has recorded (other work too more than likely) with DJ Tiesto (Brian sings on a track called "Break My Fall"). I believe he's recording a follow up to his "Emotional Technology" album as well, which he's pretty far into. This is how I understand his current project schedule based off what I've read. I'm not sure what the content will be overall with that release. Regardless, to the people who are wondering when he'll release something dance orientated... its coming.
So, back to the album... BT is a producer at heart so he's showing his versatility even more with this album. If you are familiar his previous works then you'll know that he's also done film scores (Stealth, The Fast and the Furious, Monster, etc.) and worked with other artists as well such as Peter Gabriel or The Roots. This CD touches more on his ambient-melodic side and he puts all that he's known/learned over the years into use. This music is like a journey you go on through a lot of places and feelings before getting back to where you were originally. Each track has a different feel to it so nothing really sounds like the previous track. As you listen to it, I'm sure people will find something that they didn't notice before... it's that deep.
The DTS 5.1 recording adds so much to the experience that if you want to truly get everything out of it then I suggest you play it on a system that supports that. With the CD, you also get a DVD that has videos on it to accompany the tracks. That was an excellent treat to compliment the music. I know a lot of people like to do a breakdown by track but I realized that you need to listen to this on your own to make decisions of that nature. There are lots of things I can say about each individual track but I'd just go on and on. Personally, my favorite track was "1.618" but that was a hard choice to come by.
Ultimately, if you want to witness some excellent versatility in BT's music catalog then this is a really great example of it. This is artistry for music that you have to really sit down and put some time away to just listen. It isn't something you can just listen to on the fly and truly understand what's going on. I've been listening to it most of the time since yesterday before typing this. People who will be expecting a dance album will be disappointed but give it a listen because this is something very special. It is an excellent piece of work and I am glad to have experienced this.
"
Ambient At It's Best
Josephll | CET | 08/30/2006
(5 out of 5 stars)
"BT or Brian Transeau is a longtime dance music artist by now, He released "IMA" in 1995 and the big break "ESCM" 2 years later that was a mix between ambient and commerical eletro-house and techno-pop. "Flaming June" for example was a club hit. By the years things have changed a little though, "Emotional Technology" was in a more progressive direction and the soundtrack to Charlize Theron's film "Monster" was ambient film music. With highly anticipated "The Binary Universe" there is only 7 songs but they all are long and meliodic ambient. For those of you that wanted another highly accessable and commercial "Flaming June" you will get dissapointed, this album is non-commercial, Kind of like Moby's last one, but BT is superior to Moby when it comes to release dreamy and meliodic ambient music, but For those of you that own "ESCM" and liked songs like "Orbitus Terranum", you are gonna love this album. "Binary Universe" is very exprimental, with more cinemographic sounds that could have been from another soundtrack. It's also exprimental, in the sense that loads of diffrent sounds are squezed into the diffrent songs, kind of like Avant-Garde Jazz or early Pink Floyd that squezed several pieces of songs into every number. Infact there is lots of melancholy jazz on this album, electro, orchestral and classic pieces. It's not very accesable, in the sense that none of the songs are made for the charts and all of the songs are long and often change rhythm or melody through the song. BT is just following his heart, exprimenting further and "going back to his roots" with some classical music which he played as a kid. I think it's too difficult to go into song by song, it's something you have to experience by yourself while listening to them, cause like I mentioned all songs goes in diffrent musical pieces and they are hard to comment, but most are classic half slow ambient (with diffrent arrangements) the "The Antikythera Mechanism" however sounds like the soundtrack to a Isaac Asimov science fiction film, it's futuristic, robotic and with brilliant orchestral work. Just liste to this album in patience and you'll find the goodies. Maybe you're Stressed after a long day at work?, Relax, turn the lights off, and turn on this album. There are also DVD versions included of all of the songs. Original? You bet."
Difficult, but highly recommend for what it attempts, and mo
Trevor C. Cook | Ramstein, Germany | 02/09/2007
(4 out of 5 stars)
"I'm hesitant to give BT's latest outing, THIS BINARY UNIVERSE, any stars, simply because its genre classification is so difficult to determine and its initial impact so subtle and nuanced in nature. Certainly, this isn't the schizophrenic BT of MOVEMENT IN STILL LIFE, leaping from genre to genre with each song. Nor is it the misguided BT of EMOTIONAL TECHNOLOGY, trying desperately to elevate pop music above the inherent limitations of its genre by infusing it electronic orchestrations. No, if anything, this BT is looking farther back to the album ESCM, and slowing it way, way down.
If someone were to ask me what THIS BINARY UNIVERSE really is, I would respond that it's an electronic symphony. It's most certainly not a dance album, as it, for the most part, lacks a beat. It's most certainly not a traditional pop album, either, as it lacks lyrics of any kind, or even a traditional verse/chorus/bridge song structure. It honestly must be thought of as a symphony, with a single conductor leading an orchestra through movements of music. The only thing seperating this from a true classical symphony is the fact that instead of composing the music and then conducting an orchestra, BT chose to give the orchestra the week off and conducts his computer instead.
So what does it sound like? Like Ulrich Schnauss, but far, far sharper than the soft, warm and fuzzy synth pads of FAR AWAY TRAINS PASSING BY. Ambient like Sasha's AIRDRAWNDAGGER, but far, far more complex, making Sasha's efforts seem almost simplistic and boring. Natural and acoustic like LTJ Bukem's JOURNEY INWARDS, but far, far more electronic, with almost an excess of stutter edits, constantly reminding the listener of the music's digital origins and nature. And yet it sounds like none of them, with acoustic guitars warping through digital turntables over a soft grand piano, only to be thrown in again backwards and be spit out as something completely different.
Is it impressive? Unquestionably. Is it good? Yes. Overall, TBU is of a higher musical and production caliber than even BT himself has previously ever hit. When it moves, it truly moves, and tracks such as "1.618" and "The Antikythera Mechanism" are superb. The songs are perhaps a trifle long, often meandering seemingly for no purpose other than to meander. And frankly, while the DVD audio is perfect, the actual video presentation itself leaves something to be desired. Still, despite its initial stylistic grievances (and lackluster first three tracks), THIS BINARY UNIVERSE is a watershed, landmark event in music itself, and truly is the only album ever worthy of the title "electronic symphony." And most importantly, it sounds better with each listen. Four stars, but with my highest recommendation."