Amazon.comBristol, England's eclectic electronicists Up, Bustle and Out traveled to Havana, Cuba, to collaborate with the Orquesta Richard Egües. Flautist and pianist Egües has been a leading figure in Cuban bands for decades, and formed his own group in 1984. The results are fascinating, but not particularly a blend of Cuban music with electronica--it's more like flipping around the dial in some city where all the radio stations are cool. The first two tracks, "The Educators" and "Hip Hop Barrio--Who's Gonna Take the Weight" are fueled by Up, Bustle and Out's trademark groove-organ funk, with guest sax on the former and a mixture of sampled emcee shouts and a spoken interlude on the latter. Egües's group takes over the next two tracks--"Los Locos Cubanos" is a short percussion workout and "Mami" is a straight-ahead Cuban salsa number with a four-man vocal lineup, lilting piano rhythms, and Egües's breezy flute. Another change of gears follows as two tracks of stripped-down funk drumming provide the underpinning for "Kennedy's Secret Tapes," which incorporates various Cuban Missile Crisis-era spoken-word snippets and guest Keith Warrington's bluesy harmonica on "Rebel Satellite." The Orquesta returns for a few more tracks. Former Up, Bustle collaborator Martin Genge recites a poetic evocation of "Havana's Streets" over a Fender Rhodes piano, there's a not too compelling Smith and Mighty remix, and the CD closes with a nice breakbeat and flamenco guitar piece and a short sound collage. Fans of Up, Bustle and Out's type of stylistic boundary-pushing are sure to be pleased with the CD, but listeners mainly interested in the more traditional Cuban sounds might find the variety a bit distracting. --Bob Bannister