Brettl-Lieder (Cabaret Songs), for voice & piano: No. 3, Nachtwandler' for soprano, piccolo, trumpet, side drum & piano)
Brettl-Lieder (Cabaret Songs), for voice & piano: No. 4, 'Jedem das Seine'
Brettl-Lieder (Cabaret Songs), for voice & piano: No. 5, 'Mahnung'
Brettl-Lieder (Cabaret Songs), for voice & piano: No. 6, 'Galathea'
Brettl-Lieder (Cabaret Songs), for voice & piano: No. 7, 'Gigerlette'
Brettl-Lieder (Cabaret Songs), for voice & piano: No. 8, 'Seit ich so viele Weiber sah' (from Schikaneder's Mirror of Arcadia)
Dorothy Dorow is expertly suited to the range of song styles on this selection of lieder by members of the Second Viennese School. From cabaret songs to romantic lied to atonal decadence, she is the kind of artist who can ... more »discover the familiar in the exotic, and vice versa. Her renditions of the Berg songs are evocative and lovely, and she attains perfect balance in the Schoenberg cabaret numbers between Viennese sentimentality and campy burlesque. --Joshua Cody« less
Dorothy Dorow is expertly suited to the range of song styles on this selection of lieder by members of the Second Viennese School. From cabaret songs to romantic lied to atonal decadence, she is the kind of artist who can discover the familiar in the exotic, and vice versa. Her renditions of the Berg songs are evocative and lovely, and she attains perfect balance in the Schoenberg cabaret numbers between Viennese sentimentality and campy burlesque. --Joshua Cody