Full Title - Underachievers Please Try Harder. Camera Obscura create lilting, sophisticated melodies that draw similarities to the work of contemporaries such as Belle & Sebastian, The Clientele or Trembling Blue St... more »ars, but are also rooted in more classic sounds such as Nick Drake, Donovan or Petula Clark. Songs drift and linger like clouds in a summer sky, with gentle hooks and breezy vocals that stick in your head like a pleasant memory. Features 14 tracks including an Mpeg video of 'Teenager'. Digipak. Merge. 2004.« less
Full Title - Underachievers Please Try Harder. Camera Obscura create lilting, sophisticated melodies that draw similarities to the work of contemporaries such as Belle & Sebastian, The Clientele or Trembling Blue Stars, but are also rooted in more classic sounds such as Nick Drake, Donovan or Petula Clark. Songs drift and linger like clouds in a summer sky, with gentle hooks and breezy vocals that stick in your head like a pleasant memory. Features 14 tracks including an Mpeg video of 'Teenager'. Digipak. Merge. 2004.
"First off, let's deal with all those nitwits out there who've got Belle & Sebastian pegged as some kind of sacred cow; if we're gonna play 'name that influence', then this review will be a thousand times longer than it needs to be, and I won't even get around to reviewing the actual LP!
Besides, this has some of the best songs Petula Clark never wrote. Particularly "A Sister's Social Agony", one of the best (and few) doo-wop-esque ditties I've heard since The Flamingoes.
The album starts off great, with "Suspended From Class", "Keep It Clean", "A Sister's...", and "Teenager", lulls a bit in the middle (minus a star for re-writing L. Cohen's "Suzanne" and calling it "Your Picture"; shame on you guys), then picks up a bit near the end.
For those in need of a chill pill fix, this'll do the trick."
Ouch some harsh reviews -- its lilting jangly 60's folk pop
techmannn | New York, NY United States | 03/19/2005
(4 out of 5 stars)
"The singer's voice is perfect for the style of music, and the studio production is excellent. The songs have a coy tone, but with a self-aware humor that is more smart kitsch than merely adolescent. The spare arrangements are a pure pleasure. C'mon gang; this music is pretty good. This isn't The Breeders or Belly so dont expect dark tones and anger."
Cute 50's-60's stylings. Melodic -- Wonderful.
Not Mozart | Detroit | 06/12/2006
(5 out of 5 stars)
"Seems like many people are mad that this isn't Bell & Sebastian. Well, It's not. It's probably closer to the stylings of The Clientelle or late era Yo La Tengo -- and they're not Scottish...?
Anyway, there are few, if any, synths -- the warm recording and instrumentation are all they need to make their music work. The girl/boy vocals are each unlike anything sung in at least 20 years and together just make me want to melt.
Also, fans of Saturday Looks Good to Me will enjoy, but I must warn you -- this album never really rocks out. It keeps a cool melodic additude throughout. Lunar Sea is bliss."
Belle and Sebastian with a dash of "oldies"
Greg Brady | Capital City | 07/02/2005
(3 out of 5 stars)
"Despite the protestations of some here, this CD resembles nothing so much as early B&S, albeit often with "thicker" production values. That is, except for the moments when it sounds like longlost rock and roll of the 50s or 60s era.
HIGHLIGHTS:
"Suspended from Class" is a poignant look at the awkwardness of wanting to be "more than friends" with its catchy refrain of "I should be suspended from class/I don't know my elbow from my arse". "Teenager" sounds like it's slipped through a time warp from the early 60s, a bossa novaish backbeat coupled with a tremeloed guitar. In it, one of the band's female singers chides a male friend for chasing after a girl who's all fluff, no substance, while adding a subtle tinge of jealousy as a subtext. "Number One Son" is a brisk number that incorporates some tasteful strings in its tale of a woman struggling in her relationship with a man who can't get paternal acceptance. If it weren't for the Scottish accent, you might be persuaded "Let me Go Home" is old Motown with its nimble bass and handclap and tambourine rhythm.
BOTTOM LINE:
B&S fans should adore this. Indie pop fans might also think this is the "cat's pajamas" to steal a phrase from the decade they reference most. Those not in those two categories will want to listen first to see if it's their cup of tea. In the end, I just couldn't find an emotional connection to this often enough to make it a must for my collection."