Don Giovanni, K. 527, Act 1: "Notte e giomo faticar" (Leporello)
Don Giovanni, K. 527, Act 1: "Non sperar, se non m'uccidi" (Donna Anna, Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 1: "Lasciala, indegno!" (Commendatore, Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 1: "Leporello, ove sei?" (Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 1: "Ah del padre in periglio" (Donna Anna, Ottavio)
Don Giovanni, K. 527, Act 1: "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
Don Giovanni, K. 527, Act 1: "Orsù, spicciati presto" (Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 1: "Ah, chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 1: "Chi è là?" (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello)
Don Giovanni, K. 527, Act 1: "ln questa forma" (Donna Elvira)
Don Giovanni, K. 527, Act 1: "Giovinette che fate all'amore" (Zerlina, Chorus, Masetto)
Don Giovanni, K. 527, Act 1: "Manco male è partita" (Don Giovanni, Leporello, Zerlina, Masetto)
Don Giovanni, K. 527, Act 1: "Ho capito, signor, si!" (Masetto)
Don Giovanni, K. 527, Act 1: "Alfin siam Iiberati" (Don Giovanni, Zerlina)
Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina)
Don Giovanni, K. 527, Act 1: "Fermati scellerato!" (Donna Elvira, Zerlina, Don Giovanni)
Don Giovanni, K. 527, Act 1: "Ah! fuggi il traditor!" (Donna Elvira)
Don Giovanni, K. 527, Act 1: "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donn
Don Giovanni, K. 527, Act 1: "Non ti fidar, o misera" (Don Giovanni, Don Ottavio/Donna Anna, Donna E
Don Giovanni, K. 527, Act 1: "Povera sventura!" (Don Giovanni)
Don Giovanni, K. 527, Act 1: "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
Don Giovanni, K. 527, Act 1: "Or sai chi l'onore" (Donna Anna)
Don Giovanni, K. 527, Act 1: "Come mai creder deggio" (Don Ottavio)
Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio)
Don Giovanni, K. 527, Act 1: "Io deggio ad ogni patto" (Leporello, Don Giovanni)
Don Giovanni, K. 527, Act 1: "Finch'han dal vino" (Don Giovanni)
Track Listings (32) - Disc #2
Don Giovanni, K. 527, Act 1: "Masetto, senti un po'" (Zerlina, Masetto)
Don Giovanni, K. 527, Act 1: "Batti, batti, o bel Masetto" (Zerlina)
Don Giovanni, K. 527, Act 1: "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina)
Don Giovanni, K. 527, Act 1: "Presto, presto, pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Cho
Don Giovanni, K. 527, Act 1: "Tra quest'arbori celata" (Zerlina, Don Giovanni, Masetto)
Don Giovanni, K. 527, Act 1: "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporel
Don Giovanni, K. 527, Act 1: "Protegga il giusto cielo...Vendichi il giusto cielo" (Donna Anna, Don
Don Giovanni, K. 527, Act 1: "Riposate, vezzose ragazze" (Don Giovanni, Leporello, Masetto, Zerlina)
Don Giovanni, K. 527, Act 1: "Venite pur avanti" (Leporello, Don Giovanni, Donna Anna, Donna Elvira,
Don Giovanni, K. 527, Act 1: "Ricominciate il suono!" (Don Giovanni, Leporello, Donna Elvira, Donna
Don Giovanni, K. 527, Act 1: "Ecco il birbo, che t'ha offesa!" (Don Giovanni, Leporello, Don Ottavio
Don Giovanni, K. 527, Act 1: "Trema, trema, o scellerato!" (Don Giovanni, Leporelio, Don Ottavio, Do
Don Giovanni, K. 527, Act 2: "Eh via. buffone, non mi seccar!" (Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 2: "Leporello!.. ..Signore?" (Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 2: "Ah taci, inguisto coro!" (Donna Elvira, Leporello, Don Giovanni)
Don Giovanni, K. 527, Act 2: "Amico, che ti par?" (Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 2: "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 2: "Deh vieni all finestra" (Don Giovanni)
Don Giovanni, K. 527, Act 2: "V'è gente alla finestra" (Don Giovanni, Masetto)
Don Giovanni, K. 527, Act 2: "Metà di voi qua vadano" (Don Giovanni)
Don Giovanni, K. 527, Act 2: "Zitto, lascia ch'io senta" (Don Giovanni, Masetto, Zerlina)
Don Giovanni, K. 527, Act 2: "Vedrai, carino, se sei buonino" (Zerlina)
Don Giovanni, K. 527, Act 2: "Di molte faci il lume" (Leporello, Donna Elvira)
Don Giovanni, K. 527, Act 2: "Sola, sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna
Don Giovanni, K. 527, Act 2: "Ferma, briccone, dove ten vai?" (Zerlina, Masetto, Donna Anna, Don Ott
Don Giovanni, K. 527, Act 2: "Mille torbidi pensieri" (Zerlina, Masetto, Donna Anna, Don Ottavio, Do
Don Giovanni, K. 527, Act 2: "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
Don Giovanni, K. 527, Act 2: "Ah, pietà, signori miei!" (Leporello)
Don Giovanni, K. 527, Act 2: "Ferma, perfido, ferma!" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
Don Giovanni, K. 527, Act 2: "Il mio tesoro" (Don Ottavio)
Don Giovanni, K. 527, Act 2: "ln quali eccessi, o Numi" (Donna Elvira)
Don Giovanni, K. 527, Act 2: "Mi tradi,quell'alma ingrata" (Donna Elvira)
Track Listings (14) - Disc #3
Don Giovanni, K. 527, Act 2: "Ah, ah, ah, ah, questa è buona" (Don Giovanni, Leporello, La Statua de
Don Giovanni, K. 527, Act 2: "O statua gentilissima" (Don Giovanni, Leporello, La Statua del Commend
Don Giovanni, K. 527, Act 2: "Calmatevi, idol mio!" (Don Ottavio, Donna Anna)
Don Giovanni, K. 527, Act 2: "Crudele? Ah no, mio bene!" (Donna Anna)
Don Giovanni, K. 527, Act 2: "Non mi dir, bell'idol mio" (Donna Anna)
Don Giovanni, K. 527, Act 2: "Ah, si segua il suo passo" (Don Ottavio)
Don Giovanni, K. 527, Act 2: "Già la mensa è perparata" (Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 2: "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 2: "Che grido è questo mai?" (Don Giovanni, Leporello)
Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" (La Statua del Commendatore, Don Giovanni)
Don Giovanni, K. 527, Act 2: "Da qual tremore insolito" (Don Giovanni, Chorus, Leporello)
Don Giovanni, K. 527, Act 2: "Ah, dov'è il perfido?" (Donna Elvira, Zerlina, Don Ottavio, Masetto, D
Don Giovanni, K. 527, Act 2: "Or che tutti, o mio tesoro" (Donna Elvira, Zerlina, Don Ottavio, Maset
Don Giovanni, K. 527, Act 2: "Questo è il fin" (Donna Elvira, Zerlina, Don Ottavio, Masetto, Donna A
Don Giovanni?s special amalgam of dark drama and sparkling comedy is captured with startling immediacy by Carlo Maria Giulini. The Viennese baritone Eberhard Wächter faces a particularly formidable pair of noble ladie... more »s: Donna Anna in the form of Joan Sutherland (in one of her rare recordings for a label other than Decca) and the Donna Elvira of Elisabeth Schwarzkopf.These are the first five releases in a new line of premium releases of classic operatic recordings.Each of these releases offers optimum sound quality. The four releases originally recorded using analogue techniques (Carmen, Die Zauberflöte, Don Giovanni, Tosca) have all been newly remastered in 24-bit/96kHz at Abbey Road Studios using the latest technology, while La traviata benefits from its stunning original digital recording.In addition to the CDs, each of these releases includes a hardback, cloth-bound book of between 156 and 260 pages. This book contains: - the complete libretto (with translations) ? a component now increasingly rare in opera sets; - an essay by the journalist and opera expert George Hall; - an impressive array of photographic material, with numerous pictures of the artists at the time the recording was made.The CDs and book are contained in a glossy dustjacket featuring the original cover artwork for the release.As George Hall writes of the series:?Although many other recordings of the same works exist, in each instance special factors are generally agreed to have given every one of these sets particular qualities that have continued to attract the highest critical praise, as well as the ongoing affection of generations of opera lovers. Having stood the test of time, the results can now be enjoyed by today?s listeners in their optimum sonic manifestations.?« less
Don Giovanni?s special amalgam of dark drama and sparkling comedy is captured with startling immediacy by Carlo Maria Giulini. The Viennese baritone Eberhard Wächter faces a particularly formidable pair of noble ladies: Donna Anna in the form of Joan Sutherland (in one of her rare recordings for a label other than Decca) and the Donna Elvira of Elisabeth Schwarzkopf.These are the first five releases in a new line of premium releases of classic operatic recordings.Each of these releases offers optimum sound quality. The four releases originally recorded using analogue techniques (Carmen, Die Zauberflöte, Don Giovanni, Tosca) have all been newly remastered in 24-bit/96kHz at Abbey Road Studios using the latest technology, while La traviata benefits from its stunning original digital recording.In addition to the CDs, each of these releases includes a hardback, cloth-bound book of between 156 and 260 pages. This book contains: - the complete libretto (with translations) ? a component now increasingly rare in opera sets; - an essay by the journalist and opera expert George Hall; - an impressive array of photographic material, with numerous pictures of the artists at the time the recording was made.The CDs and book are contained in a glossy dustjacket featuring the original cover artwork for the release.As George Hall writes of the series:?Although many other recordings of the same works exist, in each instance special factors are generally agreed to have given every one of these sets particular qualities that have continued to attract the highest critical praise, as well as the ongoing affection of generations of opera lovers. Having stood the test of time, the results can now be enjoyed by today?s listeners in their optimum sonic manifestations.?