I Was Doing All Right - Carmen McRae, Gershwin, George
How Long Has This Been Going On? - Carmen McRae, Gershwin, George
Namely You - Carmen McRae, DePaul, Gene
Dream of Life - Carmen McRae, Henderson, Luther [
The Eagle and Me - Carmen McRae, Arlen, Harold
Do You Know Why? - Carmen McRae, Burke, Johnny [Lyri
Whatever Lola Wants - Carmen McRae, Adler, Richard [Com
When Your Lover Has Gone - Carmen McRae, Swan, Einar A.
Weak for the Man - Carmen McRae, Burns, Jeanne
Mad About the Boy - Carmen McRae, Coward, Noel
Love Is a Simple Thing - Carmen McRae, Carroll, June
I Wants to Stay Here - Carmen McRae, Gershwin, George
Baltimore Oriole - Carmen McRae, Carmichael, Hoagy
Invitatio - Carmen McRae, Kaper, Bronislav
Something to Live For - Carmen McRae, Ellington, Duke
Midnight Sun - Carmen McRae, Burke, Sonny [Arran
Georgia Rose - Carmen McRae, Flynn, Jimmy
Love Is Here to Stay - Carmen McRae, Gershwin, George
Perdido - Carmen McRae, Drake, Ervin
Carmen McRae was simply one of the giants of jazz singing, with a distinctive sound and phrasing, superb intonation, and rare harmonic imagination. She also had a unique gift for presenting a lyric, whether conveying depth... more »s of feeling or sheer playfulness. This CD is drawn from McRae's first sustained period of recording, her Decca work from 1955 to 1959. It demonstrates her emotional range, from the ebullient high spirits of "Namely You" and "Love Is a Simple Thing" to the lightly bittersweet balladry of "Do You Know Why?" and the passion of "Mad About the Boy." The accompaniments here include several big bands and string sections, and McRae is well served by a collection of arrangers highlighted by Tadd Dameron, Ernie Wilkins, and Ralph Burns. More-intimate small groups include superb contributions from pianist Ray Bryant and tenor saxophonist Ben Webster, while "Something to Live For" has the composer, Billy Strayhorn, at the piano. --Stuart Broomer« less
Carmen McRae was simply one of the giants of jazz singing, with a distinctive sound and phrasing, superb intonation, and rare harmonic imagination. She also had a unique gift for presenting a lyric, whether conveying depths of feeling or sheer playfulness. This CD is drawn from McRae's first sustained period of recording, her Decca work from 1955 to 1959. It demonstrates her emotional range, from the ebullient high spirits of "Namely You" and "Love Is a Simple Thing" to the lightly bittersweet balladry of "Do You Know Why?" and the passion of "Mad About the Boy." The accompaniments here include several big bands and string sections, and McRae is well served by a collection of arrangers highlighted by Tadd Dameron, Ernie Wilkins, and Ralph Burns. More-intimate small groups include superb contributions from pianist Ray Bryant and tenor saxophonist Ben Webster, while "Something to Live For" has the composer, Billy Strayhorn, at the piano. --Stuart Broomer
"I already have CD's of Ms. McRae's early work, and of her later outings. This is the first recording I've picked up of her singing from the mid to late 1950's. What impresses me most is how she sings with great security and an exceptional awareness of the meaning of the lyrics. She is accompanied by backup musicians who are talented enough to be supportive, but not intrusive. The best compliment I can pay is to say that this is one production to which I want to give repeated listening. While a fine restoration job has been done, the overall sound quality falls short of contemporary standards. For Carmen McRae fans this is a truly worthwhile disc. Casual listeners might not be so taken with it."