Track Listings (12) - Disc #1| All Artists: Carmen McRae Title: At Ratso's Vol.1 Members Wishing: 0 Total Copies: 0 Label: Hitchcock Media Original Release Date: 5/1/2002 Release Date: 5/1/2002 Album Type: Live Genres: Jazz, Pop, Broadway & Vocalists Styles: Vocal Jazz, Vocal Pop, Traditional Vocal Pop Number of Discs: 1 SwapaCD Credits: 1 UPC: 695881080823 |
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Search - Carmen McRae :: At Ratso's Vol.1
 | Carmen McRae At Ratso's Vol.1 Genres: Jazz, Pop, Broadway & Vocalists
World class jazz vocalist Carmen McRae performed several nights at RatsoÕs in Chicago, 1976. Fortunately, the evenings were recorded capturing perhaps her finest hour in this intimate set ting. RatsoÕs lasted onl... more » |
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Album Description World class jazz vocalist Carmen McRae performed several nights at RatsoÕs in Chicago, 1976. Fortunately, the evenings were recorded capturing perhaps her finest hour in this intimate set ting. RatsoÕs lasted only about six years. Ms. McRaeÕs legacy will last forever. Magical performance s include "Hey John," "A Letter From Anna Lee," "All By Myself" and "Would You Believe." Artist biography: Carmen McRae spans four decades as a jazz vocal icon. Similar CDs
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CD ReviewsThis CD is Absolute Awesome!!!! Shamieka Rhinehart | usa | 06/22/2003 (5 out of 5 stars) "I am a die hard Carmen McRae fan. I truly think that this is one of her best CD's besides the Monk CD that she did. I think that all of her songs on this CD is great. She is definitely an artist that should be ranked up there with all of the other greats like Ella, Sarah, and Billie. However, with the exception of Sarah, It seems that McRae got better with age. Every song shows how rich and controlled her voice remains throughout the CD. IF one person has not been introduced to McRae then this is it. Her rendition of You and I and Hey John is immaculate. What a voice." Carmen in the '70's Samuel Chell | Kenosha,, WI United States | 09/30/2003 (3 out of 5 stars) "This critically-acclaimed reissue finds Carmen in top form. She has the breath support to sustain tones and "sweeten" them, usually by attacking a syllable with incisive edginess, then finishing the sound with a pleasant, floating vibrato. And the dynamic contrasts that are so essential to her dramatic story-telling approach are in full force, allowing the accompanying trio to provide lots of lightning and thunder behind each of her "big" endings. Moreover, we sense the involvement of the audience (Woody Herman was present, and Carmen alludes to the earlier appearance of Teddy Wilson), despite the very relaxed persona projected by the artist on stage.The problems with this recording are less Carmen's than the culture of the 1970's, a decade notorious for providing very little of substance for artists seeking to "connect" with contemporary tastes. Much if not most of the material belongs to the category of "period piece," and the instrumental back-up--reduced to playing lots of anemic triads and supplying obvious programmatic effects--reflects the skimpy opportunities present in the music. Unfortunately, the Ellington pieces represent the exception rather than the quality of the program as a whole.The wonder is that Carmen makes music and drama out of this ephemera at all. But this album is unlikely to command repeated listenings--unless your attraction is less to Carmen the supreme jazz artist and more to Carmen the cabaret queen. I have yet to check out Vol. 2, but I wouldn't be surprised if it's a more satisfying representation of Carmen's unique talent."
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