In Today's Dark World Arends' "Attic" Offers Light
T. Yap | Sydney, NSW, Australia | 08/12/2006
(5 out of 5 stars)
"Prime Cuts: To See Your Face, Not Alone, I've Got a Hope
Confession is good for the soul. Eschewing the trite path of padded answers unthinking Christians often use to as retorts to questions of suffering and loneliness, folk-pop Christian stylist Arends on her self-produced "Pollyanna's Attic" does not rescind to such clichés. Rather, she airs her poignant yet stark queries within the framework of God's sovereignty. Described by this multiple Dove Award winner as her "dark" album, there's actually nothing spiritually nocturnal about these songs. Conversely, in the midst of her wrestles, there's an obsequious abandonment to the graciousness of God that is unfettered by any subterfuge. However, relative to Arends' previous efforts, there is a general dearth of the summery high charging tenor of hits like "New Year's Day" or "Seize the Day." On the other hand, "Pollyanna's Attic" finds a more contemplative and matured Arends who has been through the winger of life hampered by its incessant share of disappointments and yet comforted by God in His most mysterious ways.
Setting the tenor for the album, opener "Just Pretending," with its Sheryl Crow-like guitar underpinnings, is an acoustic rocking assault on the superficiality of our Western society with penetrating lines such as: "Life's not some greeting card/Models and movie stars/They're just pretending." Not one to be constrained by genre, Arends lets her hair down on the full-fledged rocker with an electronic rap-like demeanor on "Everybody Wants Everything," a brush off of today's obsession with wealth and fame. Based on the Exodus account, "The Wasteland" recounts the devastating effects of sin, told with an unpretentious urgency.
But, not everything is that hard edged, evidenced by the piano-led "To See Your Face." Offered as a prayer to God under the weight of suffering, "To See Your Face" finds Arends prostrate before the Almighty with nothing but childlike trust. This track by itself is worth the CD's money; this is God-honoring stuff at its best. "Not Alone," though not as emotionally intense, is a soft rock ballad that simmers with a haunting melody. Encoring the project in the most appropriate way is Eric Fiedor & Pierce Pettis' stately ballad "I've Got a Hope." Opening with her subdued vocals before engaging in a full-blown crescendo, Arends' performance shows what a great balladeer she can be.
"Pollyanna's Attic" may conjure up emotions that are dark and oppressive, but these are brought transparently before the light of God. And in the process, these songs radiate with a warm glow of truth and assurance often amiss in today's music. Vocally, Arends has never sounded better: when she's at her emotional and spiritual dire straits, her breathy nuances certainly bring out her vulnerability. Yet, on tracks when the strength of the Lord is extolled there is a vocal tenacity that is invincible. In a dark world, "Pollyanna's Attic" is the brightest place to be."
Carolyn's Best Album
Pvt Jackson | Lincoln, NE USA | 09/26/2006
(5 out of 5 stars)
"I've been listening to Carolyn Arends since her first release, and I've always loved her music. Of all of her albums, the songs on Polyanna's Attic moved me the most."
Inspiring & Beautiful
S. Graf | La Crescent, MN, USA | 09/27/2006
(5 out of 5 stars)
"This CD will touch your heart. The lyrics and melodies are beautiful and so meaningful in today's world. I highly recommend this CD for your collection."